First edition. 4to. 51 pp. Fine in illustrated wrappers. Cover image a collage by Adam Music transcribed by Carl Grundberg, with his introduction. Twelve songs.
$20

First edition. [68 pp w/glossary]. Fine in glossy illustrated wrappers. Cover art by Alexander.
$45

First edition. 88 pp w/glossary. Tiny bump to one lower corner, else fine in glossy illustrated wrappers. Cover art and internal illustrations by Alexander. His third book.
$75

First edition. 119 pp w/appendixes. Fine in gilt-lettered full cloth. No dust jacket, as issued. Color and b&w images, some famous, most lesser known. NASA SP-246.
$40

First edition in English. 92 pp w/translator’s notes. Fine in very near fine dust jacket. Translated from the original French by Chris Turner. A consideration of the antagonism between globalizing Western modernity and traditional cultures.
$45

14 ½ x 11 ⅜ inch illustrated poster, printed in black on heavy pale tan stock. Two small edge tears, four tape shadows to corners on verso, several wrinkles and a small batch of pinholes to the left of the image. In all, very good. One of a small number of commercial posters by Berman, issued after the success of his artwork on the cover of the 1947 “Be-Bop” album on Dial Records. As in two other similar works, this collage mixes the faces of familiar jazz musicians with macabre elements and African references. Scarce.
$2750

First edition. 5 ¾ x 5 ⅛ inch reproduction mounted on a printed 9 x 6 inch card. Original mailing envelope present. All elements fine. Promotional item for this Berman poster, published by John Martin of the Black Sparrow Press.
$200

First edition. 16 mo. [32 pp]. Near fine in stapled wrappers. Cover lettering and illustration on second leaf in holograph. One of 300 copies. A concrete poem.
$25

First edition. 4to. [160 pp]. Covers lightly rubbed, else very near fine in illustrated wrappers. Concrete and visual poetry.
$25

First edition. Tall 4to. Ten broadsides printed in two colors, housed in a fine publisher’s chemise with printed cover label. Very near fine slipcase. One illustration, a woodcut of Warren by Ann Carter Pollard, numbered and signed by the artist, accompanies the poems. One of 75 numbered sets produced, 55 of which were for public sale. Each set is numbered and signed on the colophon sheet by the publisher, Stuart Wright. Each broadside is numbered and SIGNED by the respective poets: James Dickey, Reynolds Price, Richard Eberhart, Richard Wilbur, A.R. Ammons, Fred Chappell, William Meredith, John Hollander, George Garrett, and Rosanna Warren.
$750

First edition, lettered & signed issue. [12 pp]. Fine in marbled paper-covered boards with cloth spine. No dust jacket, as issued. One of 26 lettered copies Hodgkinson Blue Laid paper SIGNED by Bronk.
$125

First edition. [42 pp]. Fine in illustrated wrappers. Concrete poems based around a small “a” in various locations and states of fracture. One of 500 copies.
$25

First edition. Small 4to. 97 pp. Light bump to one upper corner, else very near fine in printed wrappers. Introduction by William Corrington. A letterpress extravaganza. One of 777 copies. Dated 8–3–63 and SIGNED by Bukowski. Additionally INSCRIBED by Bukowski in two ink colors, “My poems / and / your life, / Let’s / Have / Fun. / Charles / Bukowski / 4–17–63.” Laid into this copy is a letterpress facsimile of a Bukowski letter to the Webbs and a holograph note from Jon Webb to Marvin Malone, “Dear Marvin — Busy binding — can only do 3 an hour, hundreds to do. Fabulous praises coming in, the book’s just starting to go out. If by chance you want 1, or 2, more — let you have them for 3.50 each. Best Jon Webb.” Gypsy Lou Series No. 1. Krumhansl 12.
$2000

First edition, numbered & signed issue. [4 pp]. Very near fine in sewn wrappers. Printed by Philip Klein. One of 96 (of 99) numbered copies SIGNED by Bukowski. Krumhansl 25.
$1000

First edition. 63 + 74 pp. Spine lightly sunned, else very near fine in illustrated wrappers. Two books bound dos-a-dos, sharing the same title. Dated (21 Oct 78) and INSCRIBED by Burciaga.
$50

First edition. 147 pp. Very near fine in illustrated wrappers. Issue features William S. Burroughs as the subject of The Art of Fiction XXXVI. Includes photographs of pages from WSB’s journals.
$35

First trade paperback printing. [140 pp]. Near fine in glossy illustrated wrappers. Keith Abbott, Alta, Lyn Hejinian, Tom Mandel, Tom Raworth, Ron Silliman, Michael Myers, and several others contribute. Dated (1/1/78) and INSCRIBED by Vincent, “for Michael McClure / the bird / who was not / there! / Best / Stephen Vincent.” Bookmark Errata laid in.
$35

Five issues, all near fine in or better in illustrated wrappers. Created from the furor over suppression of portions of William S. Burroughs’ NAKED LUNCH, Big Table went on be a major forum for “Beat” writers including Kerouac, Ginsberg, Ferlinghetti, Corso, and Bowles, but would embrace the Black Mountain and NY schools quickly and thoroughly. For the run:
$350

Five numbers in four issues, all near fine or better in printed wrappers with some light toning to spines, and some wear to front cover of 4/5. Contributors include Bukowski, McCord, Blazek, Nettelbeck, Perchik, and many others. The last issue includes a Jack Spicer bibliography by Dorbin. For the run:
$150

193 + 130 pp. Two volumes, each near fine in illustrated wrappers. Preceded by Yardbird, these two volumes were issued after a break of two years after issue #5. The second issue was guest-edited by John Williams. Interview with Ralph Ellison, work by Chin, Hagedorn, Gates, Salas, Sanchez, and many others. For the pair:
$50