Showing 449–480 of 1079 results
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$45.00San Francisco: Hackett Mill (2015). First edition. Oblong 8vo. [40 pp]. Fine in full cloth with gilt lettering to spine and front panel. Foreword by Francis Mill. Essay by John Seed. Fourteen color reproductions. Original exhibition announcement accompanies.
$17.50San Francisco: Maxwell Galleries Ltd. (1970). First edition. Small 4to. 27 pp. Near fine in stapled wrappers. Eighteen color and b&w reproductions. Texts by Paul Mills.$15.00Berkeley: Committee for Arts and Lectures 1964. First edition. [32 pp]. Near fine in illustrated wrappers. Color and b&w illustrations.$20.00San Francisco: Hackett-Freedman Gallery 1998. First edition. 24 pp. Fine in illustrated wrappers and very near fine printed dust jacket. Essay by Paul Mills. Color reproductions.$1,500.00NY: Limited Editions Club (1991). First edition. Folio. [100 pp]. Light sunning to spine, else fine in printed paper-covered boards with leather spine and fore-edges. Very near fine publisher’s slipcase, with just a bit of sunning. The poem presented here in Mark Rudman’s English translation, illustrated with etchings by Yuri Kuper. One of 250 numbered copies on handmade paper SIGNED by Kuper. Club newsletter specific to this publication laid-in.
$850.00NY: New Directions (1949). First edition, painted issue. 64 pp. Near fine in boards with gilt-stamped cloth spine. Patchen’s original cover painting has some surface chipping, due to the pigments used, but otherwise is a strong example for this title. While the construction of the book conforms to the painted issue, it does not have the signed and numbered colophon sheet. See Morgan A18b.$30.00First edition. (1990). New Brunswick & London: Rutgers University Press 283 pp w/index. Fine in near fine dust jacket with two light wrinkles.$150.00NY: Harcourt Brace Jovanovich (1993). First US edition. 303 pp. Fine in fine dust jacket. Translated from the Spanish by Helen Lane. INSCRIBED by Paz.
$200.00London: Cape Goliard, 1970. First UK edition. [52 pp]. Fine in fine dust jacket. Translated from the original Spanish by Donald Gardner. Title page silhouette Duchamp self-portrait without flaw. Includes a color reproduction of The Bride stripped bare by her bachelors, even, and on the rear cover, Fluttering hearts.$75.00London: Grey Walls Press (1949). First edition. 62 pp. Near fine in very good plus dust jacket with sunned spine and extrems, and a small chip from the top edge of the front panel. Peake provides and introduction to this collection of b&w and color reproductions.$35.00East Roseville & NY: Gordon & Breach Arts International (1993). First edition. 235 pp. Fine in near fine dust jacket with a few light wrinkles.$25.00NY: Stewart, Tabori & Chang (1996). First edition. 240 pp. Fine in fine dust jacket. Fully illustrated in color.$35.00First edition. 1988. San Francisco: North Point, 142 pp. Fine in near fine dust jacket with sunning to spine.$25.00Kriens: Museum in Bellpark (1992). First edition. 56 pp. Light toning to edges, else near fine in glossy illustrated wrappers. Illustrated exhibition catalogue. Eight page booklet (in English) about Perrin laid in.
$100.00(np): Will Petersen (1975). First edition. 4to. vii + 27 pp. Near fine in side-stapled and taped wrappers with pasted-on cover label. Edition calls for 200 numbered copies; this one unnumbered, but INSCRIBED by Petersen, “For Michael / May ‘82 / Will.” Below the copyright notice is a rubber-stamped po box address (for Petersen).$50.00Cambridge & London: MIT Press (2007). First edition. viii + 478 pp w/notes & bibliography. Very near fine in like dust jacket. All of Picabia’s significant publications, many with the reproductions of the original illustrations. Translated by Marc Lowenthal.$35.00NY: Kent Fine Art (1989). First edition. 75 pp. Fine in printed wrappers. Essay by Sarah Wilson, “Accomodations of Desire.” Illustrated with color plates.
$75.00San Francisco: City Lights Books (1968). First US edition. 39 pp. Fine in printed wrappers. Translated from the original Spanish by Paul Blackburn. Introduction by Camilo José Cela. Pocket Poets #25. Cook 71.$20.00NY: Hirschl & Adler/Abrams (1988). First trade paperback printing. 79 pp w/bibliography. Fine in illustrated wrappers. Essay by Jeffrey Hoffeld. Thirty-one reproductions.$75.00NY: Gagosian Gallery (2003). First edition. 4to. [142 pp]. Tiny bump to base of spine, else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated.$25.00Berlin & Köln: Edition Hundertmark, 1980. First edition. [15 pp]. Fine in stapled wrappers. One of 300 copies. Black & white drawings.$25.00London & NY: Verso (1992). First edition in English. 215 pp w/notes. Fine in near fine dust jacket with sunning to spine. Edited by José Pierre. Afterword by Dawn Ades. Translated by Malcolm Imrie.$35.00Oxford: Oxford Gallery, 1999. First edition. 33 pp. Tiny spot on front cover, else very near fine in printed wrappers. Illustrated with color & b&w reproductions.
$100.00Dorset: The Bettiscombe Press [1971]. First edition. [64 pp]. Near fine in thick black card covers. A poem by Michael Pinney illustrated by tinted, scratched and/or collaged photographs by John Miles. Each page contains one to seven or so lines from Pinney's poem, “Orion's Sword,” coupled with a photograph or photo collage by Miles. A beautiful production. Uncommon.
$100.00Llandogo: Old Stile Press (1999). First edition. Oblong 8vo. [42 pp]. Fine in printed paper-covered boards. No dust jacket, as issued. Text from the fourteenth century Chester cycle of miracle plays, illustrated with linocuts by J. Martin Pitts. One of 220 numbered copies on Hahnemühle Ingres paper SIGNED by Pitts.
$100.00LLandogo: Old Stile Press (1989). First edition. 4to. [76 pp]. Fine in printed paper-covered boards with cloth spine. Fine publisher’s decorated slipcase. One of 220 numbered copies SIGNED by Pitts. Silhouette images of boys who danced in tribute to Apollo on a cliff above the southern Aegean.$35.00First US edition. (1990). Cambridge: MIT 196 pp w/index. Near fine in pictorial boards, rubbed. No dust jacket as issued. Prints key articles from Flash Art magazine: Germano Celant on Arte Povera, Vito Acconci Notebook Excerpts, Ruscha, Baldessari, New Image Painting by David Salle, Francis Bacon by Gilles Deleuze, and much more.$15.00NY: Marlborough Gerson Gallery, 1965. First edition. [54 pp]. Near fine in glossy illustrated wrappers.
$750.00Trenton: Phillips & Godshalk, 1940. First edition. 51 + 28 pp. Two volumes, each near fine in stapled wrappers with light sunning to spines, and a small spot to the front cover, and a bit of foxing to the fore-edge of volume II. “And Touch” is a collection of poems by Posner, “Clean Earth,” plant and animal stories by Flemer, both books with his linoleum cut illustrations. For the pair:$200.00Corte Madera: Pennsylvania Academy of the Fine Arts/Gingko Press (2007). First edition. [113 pp]. Fine in illustrated boards. No dust jacket, as issued. Essay by Alex Baker, “Steve Powers: The Magic Word.” Dated (SF09) and INSCRIBED by Powers on the front free endpaper, “HELL YES I’LL SIGN YOUR BOOK.”$35.00NY: Franklin Parrasch Gallery (2006). First edition. Oblong 8vo. 26 pp. Near fine in printed wrappers. Prelude by Douglas Dreischpoon, who also interviews Price. Color photographs.
$150.00NY: Kent/Westreich (1989). First edition. 4to. [88 pp]. Fine in illustrated wrappers. An artist’s book by Prince, juxtaposing works by Artschwanger, Brauntuch, Picabia, Polke, Man Ray, Richter, Sherman, Warhol, and Prince.