Showing 705–736 of 1055 results
-
$3,500.00San Francisco: Arion Press 1990. First edition, lettered & signed issue. xxv + 171 pp. Fine in cloth-covered boards with leather spine. Fine publisher’s slipcase. No dust jacket, as issued. Poems selected by Helen Vendler, with her introduction. Illustrated with six etchings by Richard Diebenkorn. One of 26 lettered copies for use of the participants in the publication SIGNED by Diebenkorn.
$250.00San Francisco: Arion Press, 1987. First edition, deluxe limited issue. 91 pp. Fine in full cloth. No dust jacket, as issued. One of 120 copies on Rives paper. Tipped-on opposite the title page is an original portrait etching of Hoyem by Jim Dine, SIGNED by Dine in pencil beneath the image. Additionally, this copy is SIGNED by Hoyem on the half-title page.
$75.00NY & London: Holmes & Meier (1982). First US edition. 418 pp w/indexes. Fine in fine dust jacket. Very near fine unprinted cardstock slipcase. Translated by R.J. Hollingdale. Over 250 full color reproductions. The first full-length biographical and critical study in English.$45.00Malibu: Frederick R. Weisman Museum of Art/Pepperdine University (2009). First edition. 4to. 80 pp. Very near fine in illustrated wrappers. Text by Michael Zakian.$35.00Washington DC: Hirschhorn Museum and Sculpture Garden/Smithsonian Institution (1993). First trade paperback printing. 4to. 167 pp. Near fine in glossy illustrated wrappers. Essays by Susan J. Cooke, Jean Planque, and Peter Schjeldahl.
$1,250.00NY: Coordinating Council of French Relief Societies (1942). First edition. [48 pp]. Very near fine in stapled wrappers. Catalogue designed by Duchamp. Foreword by Sidney Janis. Rife with b&w reproductions.$35.00Pasadena: Norton Simon Museum (2008). First edition. [28 pp]. Fine in stapled wrappers. Full color exhibition catalogue.$50.00Paris: Centre National d’Art et de Culture Georges Pompidou/Musée National d’Art Moderne (1977). First edition. Small 4to. 97 pp. Bump to base of spine, else very good plus in like dust jacket with light sunning to spine extending to front panel.$150.00Ann Arbor: UMI Research Press (1983). First trade paperback printing. xxiv + 406 pp w/index. Near fine in illustrated wrappers. A volume in the “Perspective on DADA” series.$15.00NY: Viking (1974). Second US trade paperback printing. 136 pp. Light sunning to spine, else near fine in glossy illustrated wrappers. Translated from the original French by Ron Padgett.$25.00Sarasota: John & Mable Ringling Museum of Art (1983). First edition. 47 pp w/bibliography. Fine in printed wrappers. Nineteen illustrations, eleven of which are in color. “Compliments of the Museum” slip laid in.$50.00NY: Prestel (1989). First printing of this edition (originally published in 1973). Small 4to. 345 pp w/bibliography, list of illustrations, & photographic credits. Fine in fine dust jacket.Etant Donnés: 1. la chute d’eau, 2. le gaz d’éclairage: Reflections on a New Work by Marcel Duchamp.
$25.00Philadelphia: Philadelphia Museum of Art, 1987. First printing of this second reprint of the Philadelphia Museum of Art Bulletin, Volume LXIV, Numbers 299 and 300 with the 1973 afterword by d’Harnoncourt. 63 pp. Fine in illustrated wrappers.$35.00Minneapolis & Oxford: University of Minnesota Press (1991). First trade paperback printing. xxi + 222 pp w/index. Near fine in glossy illustrated wrappers. Foreword by John Rajchman. Translated by Dana Polan with de Duve.$50.00Halifax & Cambridge: Nova Scotia College of Art and Design/MIT Press (1991). First edition. xii + 488 pp w/index. Very near fine in like dust jacket.$45.00NY: Lumen, 1987. First edition. Narrow 8vo. 96 pp. Near fine in glossy illustrated wrappers.
$75.00[Paris]: Centre National d’Art et de Culture Georges Pompidou (1977). First edition. 28 pp. Near fine in illustrated boards with light rubbing to extrems. No dust jacket, as issued. Images by d’André Raffray. Text in French. An illustrated life of Duchamp.$45.00[Paris]: Centre National d’Art et de Culture Georges Pompidou (1977). First edition. 28 pp. Very good in illustrated boards with rubbing to extrems, a non-authorial gift inscription to the first leaf, and a chip to the lower rear cover. No dust jacket, as issued. Images by d’André Raffray. Text in French. An illustrated life of Duchamp.$50.00Cambridge & NY: Cambridge University Press (1994). First edition. Small 4to. xx + 316 pp w/index. Fine in very near fine dust jacket with faint sunning to spine. A critical analysis of post-modernism in the visual arts springing from Duchamp.$35.00Cambridge: MIT Press (1989). First edition. 267 pp. Fine in very near fine dust jacket with sunning to spine. Personal recollections by Beatrice Wood and Arturo Schwarz followed by nine essays on various aspects of Duchamp’s life and work, Duchamp’s letters to Walter and Louise Arensberg, 1917-1921, and his “Des Délices de Kermoune.” The book concludes with a selective Duchamp bibliography by Timothy Shipe.
$100.00Venice: Lapis Press (1990). First US edition. 199 pp. Fine in green velvet over boards and near fine wrap-around band. Translated from the original French by Ian McLeod. Essays on Duchamp written between 1974 and 1977. Illustrated.$85.00Troy: Whitston Publishing Company, 1981. First edition. 475 pp w/notes, index, & bibliography. A few spots of foxing to page edges, else near fine in boards. No dust jacket, as issued. One of 750 hardcover copies.
$500.00Paris: Centre National d’Art et de Culture Georges Pompidou (1980). First edition. Folio. xvii + [221 pp]. Fine in full cloth and matching publisher’s slipcase. Preface by Pontus Hulten. One of 1000 numbered copies. Full-color reproductions of Duchamp’s notes, grouped into “Infrathin,” ‘The Large Glass,” “Projects,” and “Word Plays.” Texts in French and English translation.$35.00NY: Achim Moeller Fine Art (1999). First edition. 4to. 48 pp. Very near fine in illustrated wrappers. Fully color illustrated.$45.00San Francisco: Readymade Press, 1990. First trade edition. Square 16mo. [74 pp]. Near fine in printed wrappers with die-cuts to the front and rear covers. Design by Diane Burk and Robert Langenbrunner. Prowler’s musings on Duchamp, and art, instigated by acquiring a telegram by Duchamp.
$125.00Paris: Eric Losfeld [1972]. First edition. 4to. 103 pp. Light bump to one lower corner, else near fine in illustrated wrappers. Over 260 items described.
$100.00Philadelphia & New Haven: Philadelphia Museum of Art/Yale University Press (2009). First edition. 447 pp w/select bibliography & index. Fine in fine dust jacket. A thorough consideration of Duchamp’s provocative work, published on the 40th anniversary of its initial installation. Profusely illustrated.$45.00Paris: Les Editions Harmonie (1980). First edition. 135 pp. Fine in wrappers and integral dust jacket. Illustrations on cover and throughout by Rikki.$22.50NY: Dutton (1990). First edition. 403 pp. Fine in fine dust jacket. Dillon, famously Jane Bowles’ biographer, here paints a dual portrait of expatriate women artists of the early American century. Dillon’s feminist and sympathetic mind is able to discern, bring out, and analyze the cultural logic of gendered historical patterns that bind together the lives of these two very different women who have remained important to us and to our arts.$20.00(np): Am Here Books/Immediate Editions (1981). First edition. 4to. [46 pp]. Fine in side-stapled wrappers. Cover illustration by Tom Clark. Mac Adams’ description of Duncan’s “Blind Date” performance recording, and ensuing controversy.$25.00Zürich: Parkett-Verlag (2003). First edition. 201 pp. Small droplet mark on the front cover, else fine in illustrated wrappers. Special twelve page insert section by Dzama.$20.00Los Angeles: Ribot (1998). First edition. 184 pp. Very near fine in printed wrappers. Features two drawings by Dzama.