Showing 833–864 of 1035 results
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$35.00NY: Solomon R. Guggenheim Museum/Thames and Hudson (1986). First US trade paperback printing. 237 pp w/index of works. Fine in glossy illustrated wrappers. Two hundred and forty-four illustrations, 29 in color and 215 in duotone.$75.00West Hollywood: Louis Stern Fine Arts, 2004. First edition. 4to. 136 pp w/selected bibliography. Very near fine in illustrated wrappers. Essays by Dave Hickey and Diane D. Moran.$20.00Long Beach & Seattle: Long Beach Museum of Art/University of Washington Press (1990). First edition. Small 4to. 63 pp. Near fine in illustrated wrappers. Introduction by Robert Flynn Johnson, interview with Lundin by Patricia Failing.$20.00Toronto: McBurnie-Cutler Editions (1996). First edition. 16 pp. Fine in stapled wrappers. Two fold-out plates. One of 500 numbered copies SIGNED by Stacey. A keepsake issued on the 100th anniversary of the death of William Morris.$25.00NY: Museum of Modern Art (1965). First edition. 80 pp. Very good plus in glossy illustrated wrappers. Cover photograph by Duane Michels.$35.00Madrid: Blur Editiones (2008). First edition. 142 pp w/list of participants. Near fine in illustrated wrappers. Texts in Spanish and English translation. Subtitled, “A Mail Art call from La Más Bella magazine,” this volume presents color images of work by participating artists who were called upon to manipulate the card reproduced on the front cover of this book.$12.50Chapel Hill & London: University of North Carolina Press (2001). First trade paperback printing. 281 pp w/index. Fine in glossy illustrated wrappers.$50.00Marienburg: Gaerie Gmurzynska (1992). First edition. 310 pp. Near fine in glossy illustrated boards. No dust jacket, as issued. Text in German. Fully illustrated.$100.00NY: Gagosian Gallery, 2011. First edition. 244 pp. Fine in fine dust jacket.$75.00Amsterdam: Stedelijk Museum, 1970. First edition. 168 pp w/bibliography & selected references. Light rubbing and wear to extrems, else very good plus in illustrated wrappers. Includes the catalogue raisonné of the Berlin exhibition, 1927.$35.00Parma: Galleria d’Arte Nicolli (1982). First edition. 69 pp. Reading crease along spine, else very good in glossy illustrated wrappers. One item number circled, with a price added.
$125.00Paris: Centre Georges Pompidou/Seuil (1998). First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket.$100.00NY: Abrams (1984). Third printing. 4to. 548 pp w/indexes. Fine in very near fine dust jacket. 138 illustrations in full color, 323 black-and-white.$75.00Princeton: Princeton University Press (1996). First edition. xxi + 318 pp w/select bibliography. Near fine in full blue cloth with gilt stamping to spine. No dust jacket.$25.00Hirschl & Adler Museum [c 1990]. First edition. Small 4to. Spine sunned, else near fine in printed wrappers. Essay, “Scatological White” by Enrico Baj. Color reproductions on glossy paper.$25.00Paris: The Pocket Museum/Editions Georges Fall (1960). First edition. 61 pp. Near fine in illustrated wrappers. Twelve tipped-on color plates and eighteen b&w illustrations. Text in English.$35.00NY: Matthew Marks Gallery (1995). First edition. 4to. [70 pp]. Fine in fine dust jacket. Essay by David Rimanelli. Three fold-out plates.$35.00London: Serpentine Gallery, 2000. First edition. Small 4to. 69 pp. Very near fine in illustrated wrappers. Two fold-out plates. Essay, “Looking at Brice Marden,” by Lisa G. Corrin.$35.00London: Tate Gallery (1992). First trade paperback printing. 175 pp w/index. Old price sticker on rear cover, else very good plus in illustrated wrappers.$75.00Paris: XXe siècle , 1972. June. Folio. Closed tear extending 2” from crown and across spine, else near fine in glossy illustrated boards. Homage to Piet Mondrian issue, featuring lithographs by André Masson and Graham Sutherland.$17.50NY: Harcourt Brace & Co., 1993. First edition. 223 pp w/index. Near fine in very good plus dust jacket.$35.00London: Hamish Hamilton (2005). First edition. xxi + 512 pp w/index. Near fine in near fine dust jacket.$10.00Belmont: Wiegand Gallery/College of Notre Dame (1989). First edition. Exhibition catalogue. Single sheet, folded once. Fine. An essay on Melchert by Moss, exhibition checklist, and brief bio. Illustrated with a reproduction of one drawing and a photo of Melchert.$20.00Berkeley: University Art Museum (1969). First edition. 119 pp. Pale stain to front cover, else near fine in illustrated wrappers.$25.00Rome: Edizioni Carte Segrete (1988). First edition. 71 pp. Very near fine in glossy illustrated wrappers.
$1,250.00NY & Paris: Rizzoli & Daniel Lelong (1989-2001). First editions. Five volumes, all 4to, all fine in fine dust jacket, vols 1-3 in cardstock slipcases. Texts in English. Miró created three original woodcuts for this edition, one printed on the cover of each volume, and two each internally. For the set (shipping at cost):$20.00NY: Sperone Westwater (1990). First edition. 4to. 101 pp. Near fine in illustrated wrappers.$20.00Washington DC: National Gallery of Art, 1979. First edition. 110 pp w/selected chronology & bibliography. Some light foxing to verso of last leaf, else very near fine in glossy illustrated wrappers that are lightly toned at the extrems.$45.00Bern & Berlin: Verlag Gachnang & Springer (1994). First edition. 93 pp w/list of illustrations. Very near fine in glossy illustrated boards. No dust jacket, as issued. Translated from the original German by Michael Latchman.$20.00London: PRC (2001). First printing of this edition. 112 pp. Near fine in glossy illustrated wrappers.
$35.00NY & Wesleyan: Mary Ryan/Ezra and Cecile Zilkha Gallery, 1994. First trade edition. Oblong 32 mo. 45 pp. Fine in illustrated wrappers and fine printed vellum jacket. Introductory poem and essay by Monette, together with poems by Rückert, Helprin, Brooke, Yourcenar, Cavafy, Auden, Joyce, and many others. Illustrated with color reproductions.
$35.00Cambridge: Massachuetts Institute of Technology, 1983. Fall. [100 pp]. Fine in glossy illustrated wrappers. Fall semester subject guide. Introduction “Scale, Sky and Technical Art: A Conversation with Otto Piene” by Robert Russett. Most of the book devoted to photographs and biographies of the staff, but three of the described photographs are of Charlotte Moorman and Nam June Paik at “Sky Art Conference ‘82,” which ties into the introduction.