Showing 897–928 of 1055 results
-
$75.00Cambridge & London: MIT Press (2003). First edition. xiv + 410 pp w/index. Fine in near fine dust jacket with some light sunning to spine.$30.00Berkeley: University of California/BAM/PFA (2007). First edition. 235 pp w/index. Very near fine in illustrated boards. No dust jacket, as issued.$25.00Baltimore & London: Johns Hopkins University Press (2002). First edition. xii + 394 pp w/contributor notes. Near fine in illustrated wrappers.$50.00Baltimore: Baltimore Museum of Art (1982). First edition. 4to. 103 pp w/select bibliography. Spine sunned, else near fine in illustrated wrappers.$100.00NY & Washington DC: Hudson Hills Press/Corcoran Gallery of Art (1996). First edition. 4to. xv + 421 pp w/biography & bibliography. Very near fine in near fine dust jacket with light sunning to spine. Of the 690 illustrations, 510 are in full color.$10.00Belmont: Collge of Notre Dame (nd). First edition. Single large sheet folded into thirds (8.5 x 11 in. folded). Fine. Exhibition flyer for a show at the Wiegand Gallery.$35.00Paris: Galerie Jeanne Bucher (1969). First edition. [46 pp]. Near fine in wrappers and near fine illustrated dust jacket. Fully-illustrated, one fold-out plate. Text in French.$45.00NY: Scribner’s (1976). First edition. 210 pp. Near fine in very good plus dust jacket with wear to base and crown of spine. Taped conversations with Nevelosn by McKown.$35.00Santa Fe: Gerald Peters Gallery (1990). First edition. [48 pp]. Near fine in illustrated wrappers. Twenty-one color reproductions.$40.00Los Angeles: Charles Feingarten Galleries, 1972. First edition. [56 pp]. Light toning to spine and extrems, else near fine in illustrated wrappers. Twenty-one black and white reproductions, with an introductory text.$85.00NY: Rizzoli, 1986. First edition. Near fine in near fine dust jacket. Heavily illustrated with black & white and color illustrations. The history of Il Corso del Coltello (The Course of the Knife), a monumental multimedia performance performed in Venice in 1985. created by Oldenburg, van Coosje and Gehry.$35.00New Haven: Yale University Art Gallery (1974). First edition. 36 pp. Near fine in printed wrappers. The return of Oldenburg’s Lipstick (Ascending) On Caterpillar Tracks to the Yale campus, after its removal in 1970; the entire history of this piece, and its importance, is dicussed in a long essay by Casteras.$45.00San Francisco: Frey Norris Gallery (2007). First edition. 4to. 43 pp. Fine in illustrated wrappers.$75.00Filipacchi (1980). First edition. 4to. 80 pp. Fine in very near fine dust jacket. Preface by José Pierre. Texts in French and English translation. Color reproductions.
$25.00Chicago: Museum of Contemporary Art, 1982. First edition. 9 x 4 inch printed card. Fine. Illustrated with Peter Moore’s photograph of V-yramid and Tom Haar’s photograph of Moorman playing Paik’s TV Cello while wearing TV Glasses.$25.00NY: [Charlotte Moorman] 1975]. 3 1/4 x 5 1/2 inch card. Fine. A US mail 8c postcard upon which is printed the details of this television event and with Charlotte Moorman’s home address rubber stamped on the verso.
$35.00NY: Electronic Arts Intermix (1982). First edition. Single large sheet folded twice (11 1/8 x 8 5/8 inches, closed). Fine. Front panel image, “Electronic Zen with Tri-Color Moon,” 1967, photograph by Bernard Gotfryd. Celebrating Paik’s association with the Howard Wise Gallery and Electronic Arts, announcing his one-man show at the Whitney (April 30-June 27), and the retrospective presented by WNET/CH 13, “On the Air,” featuring performances by Ginsberg, Kaprow, Cunningham, and Charlotte Moorman. Paik and Moorman both pictured.
$20.00Melbourne: Cantrills Filmnotes, 1974. December. Oblong 8vo. 39 pp. Very near fine in illustrated wrappers. Issue features an interview with Nam June Paik on his TV Opera, with stills from “Global Groove” on the front and back covers, and five internal pages.$25.00San Francisco: Palace of the Legion of Honor, 1949. First edition. Small 4to. 78 pp. Near fine in glossy illustrated boards with die-cut front cover. No dust jacket, as issued. Foreword by Thomas Carr Howell, essays by Jermayne MacAgy, Alfred Frakenstein, and Douglas MacAgy. Illustrated with b&w reproductions.$15.00Berkeley: University Art Museum (1972). First edition. 66 pp. Near fine in illustrated wrappers.$35.00NY: Staempfli Gallery (1961). First edition. [24 pp]. Very near fine in stapled wrappers. Introduction by Paul Mills. Three color and twenty-one b&w reproductions.$45.00San Francisco: Hackett-Freedman Gallery (2003). First edition. 4to. 56 pp. Near fine in illustrated wrappers with a pressure-dent to six leaves (in the margin). Introductory essays by W.S. Di Piero and Helen Park Bigelow. Twenty-four color reproductions.$25.00NY & Berkeley: Whitney Museum of Modern Art/University of California Press (1988). First edition. 4to. 152 pp. Fine in very near fine dust jacket with faint sunning to spine.$30.00Berkeley: University of California Press (2012). First edition. 357 pp w/notes, selected bibliography, list of illustrations, & index. Fine in fine dust jacket.
$35.00Santa Barbara: Capra Press (1988). First edition. 128 pp. Very near fine in glossy wrappers. Illustrated with color and b&w reproductions.$35.00Chicago: Video Data Bank (1983). September. 34 pp. “Artweek” stamp to first leaf, else fine in stapled wrappers. Entire issue devoted to Paschke. Illustrated.
$40.00NY: David Zwirner Books (2018). First edition. 102 pp w/list of works. Fine in illustrated wrappers. A number of color reproductions precede Durbin’s dissection of Pettibon’s prolific Twitter activity.
$25.00Bradenton:Refuge Records (1995). First pressing. Fine 7” single in a very good folded sleeve that is lightly toned and has some wear along the top edge. Pettibon’s work first appeared on a 7” single in 1979 (Black Flag’s Nervous Breakdown).
$250.00London: Thames & Hudson (1985). First UK edition. 4to. 549 pp w/bibliography. Very near fine in like dust jacket. Illustrated with 1153 images, 226 of which are in color.$125.00Chicago & London: University of Chicago Press (1999). First US edition. xx + 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller (from 1966). Introduction by Pierre Daix. Illustrated with photographs.$25.00NY: Rizzoli (1998). First US edition. 367 pp w/index. Fine in very near fine dust jacket with a light crease to front flap. Picasso’s roots in Italian Art revealed.$55.00NY: Prestel (2001). First US edition. 4to. 365 pp w/selected bibliography. Fine in fine dust jacket. 317 color and 143 b&w illustrations.