Showing 1057–1088 of 1089 results
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$25.00Seattle & London: Seattle Art Museum/University of Washington Press (1971). First edition. [112 pp]. Near fine in near fine, price-clipped dust jacket. Foreword by Richard E. Fuller, introduction by Betty Bowen. Eighty reproductions.$35.00Los Angeles: David Tunkl Gallery [c 1980]. First edition. [94 pp w/notes, chronology, & bibliography]. Near fine in illustrated wrappers. Foreword and interview by David Tunkl. Illustrated with 17 color reproductions.$85.00London: Sarema Press (1989). First edition. 4to. 160 pp w/index. Fine in very near fine, price-clipped dust jacket.$75.00Ostfildern-Ruit: Edition Cantz (1993). First edition. 175 pp. Near fine in very near fine dust jacket. Fully illustrated with color photographs.$75.00Nunich: Schirmer Mosel 2002. First edition. 4to. 320 pp. Fine in fine dust jacket.
$750.00Milan: Multhipla Edizioni (1979). First edition. Folio. 222 pp w/bibliography & index. Fine in very near fine dust jacket. Near fine publisher’s slipcase, with some light wear along the bottom edge. One of 1500 numbered copies. Introductory text by Roland Barthes, in French and English and Italian translation. Many tipped-on plates.$100.00NY: Museum of Modern Art (1994). First edition. Oblong 8vo. 175 pp. Fine in fine dust jacket. Two fold-out plates.$400.00[NY]: Gagosian Gallery (2001). First edition. Horizontal folio. 65 pp. Tiny bump to one bottom edge, else very near fine in full gray linen over boards with inset cover label. No dust jacket, as issued. Twelve full-color reproductions. Long afterword, “On Lepanto,” by poet and translator Richard Howard. Published on the occasion of an exhibition of the same title at the XLIX Biennale Di Venezia.$25.00NY: The Art Foundation Press, 1957. First edition. Very good only in wraps. Parker Tyler’s groundbreaking essay comparing Hopper and Pollock; also Reverdy on Picasso, Mario Praz, Cyril Connolly, Clement Greenberg on Monet, others.$17.50NY: Skyhorse Publishing (2016). First edition. xv + 261 pp w/endnotes. Fine in fine dust jacket.$20.00[Moraga]: Hearst Art Gallery, 2007. First edition. 4to. Single large sheet folded to make six panels. Near fine. Prints Berkson’s poem “She Hung Up for Carlos Villa.”$20.00NY: Thames & Hudson (2004). First US trade paperback printing. 223 pp w/index. Fine in glossy illustrated wrappers. Sixty illustrations, 55 of which are in color.$25.00St. Petersburgh & Bournemouth: Parkstone Aurora (1996). First edition. 4to. 174 pp w/notes, chronology, & list of illustrations. Very near fine in near fine dust jacket. One hundred and fifty-six illustrations.
$75.00NY: Gagosian Gallery (2019). First edition. 62 pp. Tiny bump to one lower corner, else fine in full black cloth with inset front cover image and full panel rear cover reproduction. No dust jacket, as issued. One fold-out plate. Essay, “At a certain distance (and from a certain angle)” by Russell Ferguson. Fully illustrated with color reproductions.
$100.00NY & London: Gagosian, 2002. First edition. Folio. [76 pp]. Near fine in stapled wrappers. Introductory note by Vincent Fremont and “Notes on an Interview with Andy Warhol” by Benjamin H.D. Buchlow. Profusely illustrated.$75.00NY: Gagosian Gallery/Rizzoli (1992). First edition. Folio. 143 pp w/index. Fine in glossy illustrated wrappers; a trade paperback original. Introductory essay by Charles Stuckey, foreword by Vincent Fremont, and an afterword by John Richardson.$25.00Los Angeles & San Francisco: Butterfield & Butterfield, 1989. First edition. [80 pp]. Near fine in illustrated wrappers.$50.00Pittsburgh, NY, Stuttgart: Andy Warhol Museum, D.A.P., Cantz (1994). First edition. Small 4to. 208 pp. Fine in illustrated boards with dvd inset on front cover. No dust jacket, as issued. Seventy-three color and 303 b&w illustrations.$20.00NY: Bantam Books, 1989. First edition. 392 pp w/index. Very good plus in like dust jacket.$35.00NY: New York Graphic Society (1970). First trade paperback printing. Small 4to. 160 pp w/filmography & bibliography. Near fine in glossy illustrated wrappers.$35.00Osfildern-Ruit: Hatje Cantz (2000). First edition. 135 pp. Fine in illustrated boards; no dust jacket, as issued. Text in German.
$125.00NY: Gagosian Gallery (1996). First edition. 8vo. 13 + [62 pp]. Fine in illustrated wrappers; a trade paperback original. Introductory essay, “Carnal Knowledge,” by Rosalind Krauss. Twenty-nine reproductions.$35.00Milan: Electa (1987). First edition. 70 pp. Laminate peeling to lower corner, else very good plus in illustrated wrappers. Texts in Spanish and English translation.$35.00NY: Thunder’s Mouth Press (1995). First trade paperback printing. 176 pp w/index. Light wear to rear cover, else very good plus in illustrated wrappers. Photographs by Shore, text by Tillman.$20.00San Francisco: Campbell-Thiebaud Gallery (1994). First edition. Oblong 8vo. [36 pp]. Near fine in illustrated wrappers.$35.00Philadelphia: Slought Foundation (2003). First edition. xviii + 300 pp. Near fine in glossy illustrated wrappers. Contributions by Norma Cole, Kenneth Baker, Bob Perelman, Chris Tysh, and many others.$35.00Richmond: Richmond Art Center (1997). First edition. Small 4to. 96 pp. Near fine in glossy illustrated wrappers.
$25.00NY: Gotham Book Mart Gallery, 1968. First edition. Single long sheet folded twice (6 x 9 inches, closed). Fine. Williams contributes a long work on Romano’s work. Black and white reproductions of paintings of Carson McCullers, WCW, and W.H. Auden by Romano.$40.00Cincinnati: Contemporary Arts Center (1980). First edition. 4to. 112 pp. Near fine in printed wrappers (lightly rubbed). Essays by John Rockwell and Robert Stearns. Heavily illustrated with production photographs.$20.00Philadelphia: Goldie Paley Gallery, 1988. First edition. Small 4to. 64 pp. Near fine in illustrated wrappers.$40.00Ithaca & London: Cornell University Press (1997). First edition. viii + 252 pp w/index. Old price erasure to first leaf, else very near fine in like dust jacket.$45.00NY: New York Graphic Society (1987). First edition. Oblong 8vo. 209 pp w/index. Fine in fine dust jacket. Essays by James H. Dutt, Andrew Wyeth, Thomas Hoving, and Lincoln Kirstein.