Showing 97–128 of 1067 results
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$50.00NY: Cabinet/Independent Curators International/Sculpturecenter (2003). First edition. Folio. 160 pp. Near fine in printed wrappers with a small nick at the top edge of the rear cover.$45.00NY: Skira/Rizzoli (1987). First US edition. Folio. 311 pp w/index. Fine in fine dust jacket. Publisher’s generic printed slipcase has a split down one edge, else fine. Illustrated with 218 full color and 236 b&w reproduction.
$75.00Berkeley: University of California (2001). First US edition. xxxiv + 278 pp w/index. Fine in fine dust jacket. Introduction by Richard Schiff, concluding essay by Lawrence Gowing. Edited by Michael Doran. Texts by contemporary authors with selections from Cézanne’s own letters.$45.00Paris: Lavoir (1966). First edition. [60 pp]. Very near fine in wrappers with integral dust jacket with pasted-on cover label. Twenty-two b&w reproductions of visual works by Hugo, Baudelaire, Mallarmé, Verlaine, Corbiere, Nouveau, Rimbaud, Laforgue, Claudel, Valéry, Jarry, Jacob, Apollinaire, Eluard, Breton, Tzara, Artaud, Aragon, Prévert, Desnos, Queneau, and Char.$30.00Paris: Maeght Éditeur (1993). First edition. 93 pp. Light bump to one upper corner, else very near fine in illustrated wrappers. Texts by Julien Clay and Jorge Guillén.$20.00Clonmel: Coracle (2008). First edition. [32 pp]. Fine in wrappers and integral printed dust jacket. Notebook drawings of abandoned vehicles by Clark, with an introductory poem by Cralan Kelder.$25.00San Diego & Berkeley: Museum of Contemporary Art/University of California (2011). First edition. 239 pp. Fine in illustrated boards. No dust jacket, as issued.$50.00London: Ferry Press (1966). First edition. Unpaginated. Very near fine in glossy illustrated wrappers. Clark's first book, one of 440 (of 500) copies printed. Cover illustration by Joe Brainard.$30.00NY: Angel Hair (1968). First edition. 4to. [24 pp]. Very good plus in illustrated wrappers with light bumps to two corners, some discoloration to unprinted white rear panel, and some rubbing along spine. Cover art by Jim Dine. One of 500 copies.$45.00Ambleside: Grizedale Books (2001). First edition. [48 pp]. Fine in full decorated cloth. No dust jacket, as issued. Introduction, “Being Something” by Tracey Warr.$15.00NY: New Press (1992). First printing of this edition (originally published as a RAW one-shot in 1986). [36 pp]. Fine in illustrated boards; no dust jacket, as issued. Edited and designed by Francoise Mouly, illustrated by Coe, and with a prose work, “Concurrent Events” by Judith Moore.”$30.00Harrow: Capital Transport Publishing/NRM (2006). First edition. 60 pp. Fine in glossy illustrated wrappers. An illustrated history of this iconic campaign.$75.00San Francisco: Meredian Gallery (2007). First edition. 52 pp. Fine in illustrated wrappers. Curated by Peter Selz. Fully color illustrated.$25.00Santa Barbara: University Art Museum (1992). First edition. 4to. 88 pp. Corner crease to front and rear covers, else near fine in illustrated wrappers.$25.00Melbourne: Pataphysics (1995). First edition. [30 pp]. Very near fine in printed wrappers. Black and white reproductions of thirteen works. Pataphysics Series No. 4.$25.00Venice: Whale and Star Press (1999). First edition. 4to. 64 pp w/selected bibliography. Fine in illustrated wrappers. Foreword by Pontus Hulten. Interview with Colson by Peter Wegner.$1,000.00NY: Library Fellows of the Whitney Museum of American Art, 1992. First edition. Tall 4to. [24 pp]. Fine in full vellum, stamped in gold. Near fine publisher’s clamshell case with some sunning along spine and top edge. Binding by Claudia Cohen. Connell’s text with an original watercolor and an etching by Therrien. One of 105 (of 150) numbered copies SIGNED in full by Connell and inititaled by Therrien. The tenth book in the Artists and Writers Series.
$200.00Minneapolis: Walker Art Center (2000). First edition. 4to. 267 pp. Pale foxing to green cloth on the rear panel, else near fine in full two-part cloth binding with inset cover illustration and label. No dust jacket, as issued. SIGNED by Conner on page 252 below a reproduction of his work, “Portrait of the Artist.”
$17,500.00[San Francisco: Bruce Conner] (1970). First edition. Fifteen 11 x 7 1/4 inch lithographs with original tissue guards, housed in a portfolio with gilt stamping to the front panel. All elements fine. One of 80 (of 90) copies. The lithographs were printed at Kaiser Graphics in Oakland on Rives BFK paper. Portfolio hand made by Schuberth Bindery. Typography (title and colophon cards) by Grabhorn-Hoyem. Each of the fifteen prints is numbered, dated, and SIGNED by Conner in the lower margin. A beautiful production.
$50.00San Francisco: North Point Gallery 1981. First edition. 11 x 17 inch poster, folded twice for mailing. Fine. Conner’s “Collage, 1954” reproduced.$25.00NY: Museum of Modern Art (1966). First edition. 34 pp. Light tanning to spine, else very near fine in printed wrappers. Cover and design by Massimo Vignelli. Introduction by Mildred Constantine and Arthur Drexler.$20.00NY: Knopf, 1985. First edition. Unpaginated. Fine in near fine dust jacket with one short tears.
$850.00NY: The Letter Edged in Black Press, 1968. February. First issue of this series of portfolios, each containing a number of artists’ multiples. Printed cover and contents fine (but for a short edge-tear to the Young/Zazeela contribution). The contents card lists work by Su Braden, James Byars, Christo, Walter de Maria, Richard Hamilton, Julien Levy, Kasper König, Sol Mednick, Irving Petlin (who also did the cover), Nancy Reitkopf, LaMonte Young and Marian Zazeela.$850.00NY: The Letter Edged in Black Press, 1968. First edition. Third issue of this assemblage magazine, containing multiples by John Battan (cover), Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westerman, and Hannah Wiener. As in most copies, does not include the Terry Riley reel-to-reel tape.$25.00London: GMP (1985). First edition. 93 pp. Very near fine in near fine dust jacket. Introduction by George Melly.$45.00NY: Braziller (1977). First edition. Small 4to. 127 pp w/notes, list of plates & bibliography. Very near fine in near fine dust jacket with light wear to crown.$25.00Boise: Boise Art Museum (2011). First edition. 48 pp w/biography. Fine in illustrated wrappers. Texts by Michele Corriel and Sandy Harthorn. Fully color illustrated.$45.00NY & Milan: Charta/Galerie Lelong (2008). First edition. 83 pp. Fine in glossy illustrated boards. No dust jacket, as issued. INSCRIBED by Coyne on the front free endpaper.$15.00NY: Harper (2015). First edition. 338 pp. Small ownership sticker inside front cover, else fine in very near fine dust jacket.$25.00Buffalo: University of Buffalo Art Gallery/Poetry Collection (2007). Second edition. 4to. [14 pp]. Fine in stapled wrappers. One of 1000 copies published on the occasion of the exhibition, “People of the World: Relax!!” Originally published in 1973 by Bouwerie Editions.$1,250.00London: Cape Goliard (1967). First edition, limited issue. Three 30 x 22 1/4 inch silkscreened/lithographed illustrated broadsides laid into a folding portfolio, together with a title sheet. All elements fine. One of 50 numbered copies SIGNED by Creeley and Kitaj on a small label affixed to the inside cover of the portfolio. This is copy #50. Novik 25.$30.00NY: Quiller Press (1991). First edition. viii + 4to. 168 pp w/index. Fine in fine dust jacket. Preface by L.S. Michael. Fully-illustrated.