Showing 33–64 of 82 results
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$35.00Rocheter: Visual Studies Workshop Press (1988). First edition. [64 pp]. Fine in illustrated wrappers. Textless artists’ books composed of black linocuts of small figures engaged in various solo and group activities.$150.00Offenbach/Main: (np) (1987). First edition. [57 pp]. Fine in wrappers and near fine glassine dust jacket. Interesting use of opaque and semi-opaque papers in presenting Ketelhodt’s text and photographic work on the subject of several German museums. One of 70 numbered copies SIGNED by Ketelhodt.$25.00Amsterdam: Uitgeverij Bert Bakker, 1976. First edition. [42 pp]. Near fine in illustrated boards. No dust jacket. Text entirely in Dutch. One of 1000 copies.
$500.00Sherman Oaks: D’Ambrosio, 1992. First edition. 23 pp. Very near fine in a “book-in-a-box” modular binding. Introduction by Patrick Magarick. One of 75 numbered copies on handmade “Misty Rose” paper SIGNED by D’Ambrosio. A short story by this French Symbolist, contemporary of Maupassant and Huysmans. Original prospectus accompanies.$25.00(np): (np) (1998). First edition. [36 pp]. One small spot to front cover, else fine in printed wrappers. One of 500 copies. Afterword by Toby Kamp. Head and shoulder profile silhouettes of young women, created by photogram.$35.00Brunswick East: Paul Leech (1992). First edition. 4to. [28 pp]. Fine in side-stapled wrappers. On the verso of each page is the phrase, “Being an Anarchist means...” opposing a series of statements, the last of which concludes, “always having an excuse.”$1,500.00NY: ZG Publications/Brooke Alexander (1989). First edition, proof copy. 4to. [52 pp]. Fine in cloth-covered boards with leather spine. No dust jacket, as issued. Together with an original gelatin silver print in the publisher’s chemise, the pair housed in a matching clamshell case. An introductory poem with twenty photocollages, many of which are on fold-out pages. The edition was limited to fifty numbered copies and twenty artist’s proofs lettered A-T. This copy is designated J/T on the colophon page and SIGNED by Lemieux in both the book and the verso of the print.$200.00Newark: Gefn Press, 1984. First edition. [26 pp]. Fine in individually collaged covers, four panels all together, bound by a metal strip fastened with two screws. A poem by Luck, with the collages by Susan Johanknecht. Printed by Johanknecht at the Janus Press. One of 150 numbered copies SIGNED by Luck.
$45.00Prahran: Champion Books (1981). First edition. Small 4to. [146 pp]. Near fine in wrappers and near fine dust jacket. Three interrelated narratives via photos, photomontages, and text. An early book by Lyssiotis, and a signature book for the press.$75.00Dorset: Bettiscombe Press (1971). First edition,. [54 pp]. Fine in wrappers and very near fine illustrated dust jacket with one tiny edge-tear. Twenty-seven (including the cover image) black & white photographs, all featuring found texts.$75.00Augsburg: Claudia Pflaum (nd). First edition. [52 pp]. Spine tanned, else near fine in printed wrappers. Drawings and texts reproduced from Pflaum’s holograph.
$100.00Dorset: The Bettiscombe Press [1971]. First edition. [64 pp]. Near fine in thick black card covers. A poem by Michael Pinney illustrated by tinted, scratched and/or collaged photographs by John Miles. Each page contains one to seven or so lines from Pinney's poem, “Orion's Sword,” coupled with a photograph or photo collage by Miles. A beautiful production. Uncommon.$45.00(np): G.L. Porter (1979). First edition. [24 pp]. Very near fine in horizontal stapled wrappers. A meditation on points.
$150.00NY: Kent/Westreich (1989). First edition. 4to. [88 pp]. Fine in illustrated wrappers. An artist’s book by Prince, juxtaposing works by Artschwanger, Brauntuch, Picabia, Polke, Man Ray, Richter, Sherman, Warhol, and Prince.$35.00Adelaide: Experimental Art Foundation, 1979. First edition. 82 pp. Small spot to rear cover, else very good plus in stapled wrappers. Ramsey’s introduction followed by illustrated descriptions of various performances and works. Paul Williams contributes overviews and comments.
$250.00[Santa Cruz]: Moving Parts Press, 2015. First edition. 49 1/2 x 9 inch sheet with a magnetic strip at each end, housed in a (10 x 4 1/4 x 4 1/4) cardboard box with printed label. Fine. Images and text on both sides, one devoted to books, the other to cars. One of 40 numbered copies SIGNED by Rice.
$500.00[Los Angeles]: Ed Ruscha, 1972. First edition. [64 pp]. Tiny smudge to fore-edge, faint discoloration along spine. In all, very near fine in printed wrappers. Fifteen color images of succulents, followed by a number of blank pages.
$500.00Los Angeles: Mason Williams and Edward Ruscha (1971). Third edition. [48 pp]. Faint dampstains inside front cover and to first blank leaf, else near fine in spiral-bound wrappers. A photo-documentary, captioned, of the destruction of a Royal Typewriter via being thrown from the window of a Buick at 90 mph.
$125.00Santa Fe: SITE Santa Fe (1999). First edition. [34 pp]. Fine in glossy illustrated wrappers and very near fine printed semi-opaque dust jacket with a small pale stain on the front cover. Essay by David Clemmer. Many color images and quotations from Sachs.$100.00[Clonmel]: Coracle (2008). First Irish edition. 12mo. [124 pp]. Near fine in printed paper-covered boards. The Irish issue, one of 200 copies.
$75.00Lloreda de Cayón: Carmichael Alonso, 2002. First edition. Oblong 8vo. 33 pp. Fine in printed wrappers. Twelve poems about the famous American outlaw duo. One of 120 numbered copies. Text in Spanish.$35.00Santa Monica: GBF Books (1972). First edition. [80 pp]. Fore-edges a bit curled, else near fine in printed white wrappers. Color photographs of signs from Anaheim to Bali. All noteworthy, either due to content or placement.$35.00(np): Chimputer.com (2006). First edition. [24 pp]. Very near fine in stapled wrappers. One of 100 numbered copies. A journey, perhaps virtual, instigated by the donning of elaborate eyewear.$15.00(np): A Chicago Book (1980). First edition. [38 pp]. Short tear at crown of spine, else near fine in illustrated wrappers. A series of images designed to appear as a sequence of overhead shots beginning above the clouds eventually closing in on ground level where the Egyptian pyramids are the subject.$35.00NY: Something Else Press, 1966. First trade paperback printing. 214 pp w/index. Near fine in glossy illustrated wrappers. “Done with the help of his very dear friend Robert Filliou and Translated from the French, and further anecdoted at random by their very dear friend Emmett Williams with One Hundred Reflective Illustrations by Topor.”$50.00NY: Something Else Press, 1966. First US edition. 214 pp w/index. Foxing to bottom edge, and a bit to the fore-edge, else near fine in fine dust jacket with publisher’s price sticker on the front flap. “Done with the help of his very dear friend Robert Filliou and Translated from the French, and further anecdoted at random by their very dear friend Emmett Williams with One Hundred Reflective Illustrations by Topor.”
$35.00London: Weproductions, 1973. First edition. [160 pp]. Near fine in glossy illustrated wrappers. Photographs arranged under several general titles, oft not-immediately indicative of the sequence.
$750.00Greenbrae & Santa Cruz: Clatworthy Colorvues (1977). First edition. Oblong 8 vo. [72 pp]. Fine in full blue cloth with gilt lettering to spine and front panel. Afterword by Robert F. Forth. Sultan and Mandel’s landmark assemblage of found archival images.
$450.00Santa Cruz: Clatworthy Colorvues, 1974. First edition. Oblong 8vo. [54 pp]. Near fine in glossy illustrated wrappers. Preceding their important collaboration EVIDENCE by three years, this volume recontextualizes advertising images of useful household and personal items.$35.00San Francisco: Toltec Press (1969). First edition. [68 pp]. Top edge a little wavy, else near fine in printed wrappers.$15.00San Francisco: Fine Arts Museums of San Francisco, California Palace of the Legion of Honor (1974). First edition. 48 pp. Very near fine in illustrated wrappers. A b&w photographic tour of Rodin’s famous sculpture.$20.00Berkeley: Poltroon Press, 1980. First edition. 64 pp. Very near fine in printed wrappers. Designed by Treib and Frances Butler. Preface by Anthony Dubovsky. Illustrated with 64 b&w reproductions.