Showing 129–160 of 1005 results
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$15.00Baltimore: Culture Shock Foundation, 1986. Nov.-Dec. Narrow folio. 16 pp. Near fine in stapled wrappers. Judith Malina, Baraka, Norse, Di Prima, and more.$15.00Baltimore: Culture Shock Foundation, 1986. March-April. Narrow folio. 23 pp. Near fine in stapled wrappers. Broughton, Corbett, Eshleman, Roditi, and more.$15.00Baltimore: Culture Shock Foundation, 1986. May-August. Narrow folio. 31 pp. Near fine in stapled wrappers. Di Prima, Stefan Brecht, Jim Harrison, Ira Cohen, and many others.$25.00Fredericion: The Fiddlehead, 1963. Fall. 72 pp. Near fine in stapled wrappers. Earle Birney, Victor Coleman, Alden Nowlan, Lenore Kandel, August Derleth, Larry Eigner, and many others.$25.00Fredericton: The Fiddlehead, 1966. Winter. 76 pp. Fine in stapled wrappers. Cogswell, Derleth, Louis Ginsberg, Kogawa, Marvin Malone, Gil Orlovitz, and many others.$20.00Madrid: Editorial Grupo Cero (1980). November. 4to. 22 pp. Near fine in stapled wrappers. “Psicoanalisis y poesia” issue.$40.00Toronto: Coach House Press, 1970. Spring. 4to. [52 pp]. Near fine in illustrated wrappers. One of 300 copies. Contributions by Bowering, Jack Spicer, Harvey Bialy, David Antin, Michael Ondaatje, and others.$20.00Santa Barbara: Black Sparrow, 1977. First edition. [12 pp]. Fine in stapled wrappers. Twelve poems. Sparrow 59. Morrow & Cooney 273.$50.00Paris & Northampton: Blue Pig (1971). First edition. Small 4to. [18 pp]. Fine in side-stapled wrappers. Cover art by Sarkis. A long poem, issued as Blue Pig 13.$15.00Chapel Hill: The Carolina Quaterly, 1960. Summer. 79 pp. Some wear to spine, else very good plus in glossy illustrated wrappers. Work by Kenneth Rexroth, Richard Eberhardt, Jonathan Williams, and others.$12.50London: Agenda, 1966. Summer. 79 pp. Some light discoloration to front cover, else near fine in printed wrappers. Berryman, Bly, Creeley, Hall, Levertov, Merwin, Oppen, Snyder, Zukofsky, and many others.$10.00London: Agenda, 1960. July. 8 pp. One upper corner bumped, else fine in printed wrappers. Features a selection of Peter Whigham’s Catullus translations.$25.00London: Agenda (1972/3). Autumn-Winter. 186 pp. Fine in glossy printed wrappers. Special issue on rhythm. Auden, Bunting, Bunn, Montague, Raine, MacDiarmid, and many others.$15.00London: Agenda, 1974. Summer. 91 pp. Fine in glossy printed wrappers. Issue features Alan Massey’s long poem “Leechcraft.” Also two poems by Basil Bunting.$20.00London: Agenda (1975). Winter-Spring. 134 pp. Fine in printed wrappers. Fifteenth Anniversary Special Issue: An Anthology of New Poems. Davie, Gunn, Hamburger, Levi, MacDiarmid, Snodgrass, David Jones, and others.$15.00London: Agenda (1975). Summer. 77 pp. Fine in glossy printed wrappers. Peter Dale, Jon Silkin, Peter Viereck, Louis Zukofsky (from “A” - 23), and more.$15.00London: Agenda (1975). Autumn. 91 pp. Fine in glossy printed wrappers. Eight poems by Geoffrey Hill, work by Sisson, Hamburger, Peter Dale.$20.00London: Agenda (1976). Winter-Spring. 139 pp. Fine in printed wrappers. Ashbery, Bidart, Bishop, Lowell, Simic, Velentine, and many others appear.$20.00London: Agenda, 1976. Winter-Spring. 139 pp. Fine in glossy printed wrappers. Ashbery, Bishop, Bly, Lowell, Simic, appear.$20.00London: Agenda, (1976). Autumn. 99 pp. Fine in glossy printed wrappers. Special issue on criticism. Features twenty-five poems by Osip Mandelstam, and an essay on Larkin’s XX POEMS by Peter Ferguson. Loose questionaire present.$20.00London: Agenda, 1977. Winter-Spring. 156 pp. Fine in glossy printed wrappers. Special issue on new English and U.S. poems.$10.00London: Agenda (1962). May-June. 24 pp. Fine in stapled wrappers. Peter Dale, Hugh MacDiarmid, Charles Tomlinson, William Carlos Williams, and others appear.$10.00London: Agenda (1962). September-October. 24 pp. Near fine in stapled wrappers. Features “Elegy” by Peter Russell along with work by Peter Dale and Cookson.$20.00London: Agenda (1985/6). Autumn-Winter. 232 pp. Near fine in printed wrappers.$15.00London: Agenda (1963). October-November. 32 pp. Near fine in stapled wrappers. William Carlos Williams special issue. Prints the whole of WCW’s “Asphodel, That Greeny Flower,” and an essay on WCW by Peter Whigham.$15.00London: Agenda (1963/4). December-January. 40 pp. Very good plus in stapled wrappers with sunning along spine.$15.00London: Agenda (1963/4). December-January. 40 pp. Fine in stapled wrappers. Selections from Ezra Pounds new cantos, poems by Roethke, Tomlinson, Hughes, and more.$12.50London: Agenda (1965). April-May. 63 pp. Wrinkles to rear cover, else near fine in printed wrappers. English Poetry Now: An Anthology of New Poems. Alvarez, Fuller, Hill, Hughes, Jennings, Jones, and many others collected.$15.00London: Agenda (1968). Autumn-Winter. 160 pp. Very good plus in printed wrappers with a short tear to the rear cover and some light foxing. Translators include Bly, Donald Davie, Richard Lattimore, C.H. Sisson, Nathaniel Tarn, Peter Whigham, and many others.$75.00Santa Barbara: Black Sparrow, 1984. First edition, contributor’s issue. 356 pp. Fine in printed paper-covered boards with cloth spine and printed label. Very good unprinted yellow dust jacket with light wear to crown, and some light sunning. A continuation in spirit of Wyndham Lewis’ BLAST. In addition to much by and about Lewis, and writers from the Black Sparrow stable, there are appearances by Pound, Davenport, and Loy among others. 7” single present.$75.00Boston: Boston Eagle, 1973-1974. All 4to, all near fine in side-stapled wrappers. In addition to writings by the three editors, a complete list of contributors includes: John Wieners, Fanny Howe, Michael Palmer, Jonathan Cott, Paul Evans, Gerard Malanga, Pat Nolan, Larry Fagin, Bill Berkson, Bernadette Mayer, James Tate, and Clark Coolidge. Secret Location p. 266. For the run:$20.00Boston: [np] [nd]. First edition. Unpaginated. Fine. A single very large sheet folded into eighths to create a booklet-sized publication, which opens into a two-sided sheet. Includes poems by Bruce Andrews, Musa Guston, Lee Harwood, Charles Olson, and Michael Palmer. Cover and drawings by Ray Kass. One example why Corbett was indispensible to the Boston poetry scene.