Showing 321–352 of 1502 results
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$75.00Paris: Galerie Alexandre Jolas (1964). First edition. [24 pp]. Fine in illustrated wrappers. Three b&w photographs, and six tipped-on color reproductions with text by Ernst.
$100.00Kyoto: Caterpillar, 1968. First edition. Nineteen printed sheets laid into a folding cloth box with printed labels and two closures. All internal elements fine, box near fine with a touch of rubbing. Eshleman’s poems with six woodblock prints by Paden (each numbered and signed). One of 250 numbered copies SIGNED by Eshleman and Paden on the colophon page.
$200.00NY: Knopf, 1936. First edition. 262 pp. Fine in very near fine dust jacket with some light edgewear. Cover art by George Salter. Evans’ uncommon second novel that “explores that realm of violent aberration already made familiar by the poetry of Robinson Jeffers.” Later reprinted as LOVE IN THE SHADOWS. Young 1185.
$450.00San Leandro: Greater West Publishing Co. (1935). First edition. 11 pp. Fine in stapled wrappers. Everson’s first book, a collection of sixteen poems with an introduction by “H.A.H.” SIGNED by Everson on the front cover. Bartlett & Campo A1.
$200.00Berkeley: Oyez (1969). First edition. Folio. 25 pp. Fine in full cloth with gilt-stamped leather spine. Fine unprinted clear acetate dust jacket. Designed and printed in two colors by Graham Mackintosh. One of 165 numbered copies on Arches paper SIGNED by Antoninus.
$150.00Santa Barbara: Black Sparrow, 1982. First edition, deluxe numbered & signed issue. ix + 197 pp w/notes. Fine in printed paper-covered boards with cloth spine and printed label. Fine acetate dust jacket. Edited and with an introduction by Lee Bartlett. One of 50 numbered copies SIGNED by Everson with a SIGNED five line holograph poem tipped-in after the title page.
$200.00Santa Rosa: Black Sparrow, 1997-2000. First editions, numbered issue. Three volumes, all fine in printed paper-covered boards with cloth spines and printed labels. Fine acetate dust jackets. THE RESIDUAL YEARS: POEMS 1934-1948, THE VERITABLE YEARS: POEMS 1949-1966, and THE INTEGRAL YEARS: POEMS 1966-1994, with contributions by Allan Campo, Kenneth Rexroth, Bill Hotchkiss, Albert Gelpi, William Harryman, David Carpenter, and Judith Shears. Each volume is one of 100 numbered copies. For the set:
$150.00Santa Rosa: Black Sparrow, 1990. First edition, deluxe numbered & signed issue. 69 pp. Fine in printed paper-covered boards and cloth spine with printed label. Very near fine acetate dust jacket. One of 50 numbered copies SIGNED by Everson with a tipped-in broadside featuring a linocut illustration by Tom Killion, that is also SIGNED by Everson.
$150.00Santa Barbara: Black Sparrow, 1980. First edition, numbered & signed issue. 92 pp w/author's note. Fine in printed paper-covered boards with cloth spine and printed label. Very near fine unprinted clear acetate dust jacket. One of 50 numbered copies SIGNED by Everson with a twelve line holograph poem tipped-in after the title page.
$45.00Edinburgh: Canongate (2001). First edition. 122 pp. Fine in fine dust jacket. SIGNED by Faber on the front free endpaper. A “turn of the screw-like” novella.
$45.00Walnut Creek: Very Stone House Press (1969). First edition, numbered & signed issue. [34 pp]. Near fine in illustrated wrappers with a bit on toning on the edges. One of 100 numbered copies signed by Fabian. Young 1193*.
$125.00(np): Little Red Hen Press (1970). First edition. 4to. [8 pp]. Fine in side-stapled wrappers. One of 40 (of 50) copies. The Little Red Hen ends up being responsible for putting out all the magazines, as the poets won’t pitch in!
$35.00Dublin: Dolmen Press (1974). First edition. 190 pp. Fine in very near fine dust jacket with a small price sticker on the base of the front flap. Fallon’s first collection of poems.
$75.00Dublin: Gallery Books (1978). First edition. 58 pp. Near fine in near fine dust jacket. One of 300 hardcover copies SIGNED by Fallon. Poems with drawings by Timothy Engelland.
$200.00NY: Equinox, 1932. First edition. [4 pp]. Fine in sewn wrappers. Illustrated with four drawings by Albert Heckman. Original very good unprinted mailing envelope (split along two sides) accompanies. Number one of the “Equinox Quarters.” Peterson C17a.
$45.00NY: Spiral Press/Random House (1951). First printing of this edition. [8 pp]. Fine in stapled wrappers with integral printed dust jacket.
$20.00(np): Mother Asphodel (1966). First edition. 48mo. [12 pp]. Fine in printed wrappers. A miniature presentation of this poem by Federman, nicely printed in two colors. A “mother asphodel.”
$20.00NY: Jargon Society, 1972. First trade paperback printing. [50 pp]. Fine in wrappers and near fine integral dust jacket. Cover illustrations by Black Mountain College alumnus Dan Rice. Long statement by Gilbert Sorrentino introducing these poems printed on the front flap. Jargon 71.
$25.00Oxford: Sycamore Press (1981). First edition. [6 pp]. Fine in sewn wrappers. One of 400 copies. A single long poem. Roberts A12.
$125.00Baltimore & Washington DC: Ann Fessler with the National Museum of American Art, Smithsonian Institution, 1991. First edition. [20 pp]. Fine in full cloth with inset printed cover label. No dust jacket, as issued. SIGNED by Fessler on the half-title page. A quotation on the highest values of art from H.W. Janson’s HISTORY OF ART, juxtaposed with images from “Rape of the Sabine Women.”
$12.50NY: Inanout Press, 1992. First edition. 91 pp. Fine in wrappers and fine printed dust jacket. Original Italian poems with facing translations by George Scrivani.
$200.00Santa Rosa: Black Sparrow, 1992. First edition, publisher’s copy. 307 pp. Fine in printed paper-covered boards with cloth spine and printed label. Fine acetate dust jacket. Field contributes a preface to this collection of new poems and selections from previously published volumes. Designated “Publisher’s Copy” on the colophon page and SIGNED by Field.
$25.00Cardiff: Second Aeon Publications (1969). First edition. 35 pp. Near fine in stapled wrappers. Largely conventional poems, with two concrete works and the concluding essay, “Notes on Visual Poetry.”
$20.00Cardiff: John Jones Cardiff (1971). First trade paperback printing. 64 pp. Fine in printed wrappers. Illustrations by Peter Luff. Poems by the editor of Second Aeon. A5 Poets Series No. 2.
$35.00Solihull: Aquila (1972). First edition. [20 pp]. Touch of foxing to the fore-edge of the front cover, else very near fine in illustrated wrappers. One of 475 (of 500) copies. “A collection of text for and scores from non-electronic vocal sound poems.” Aquila Pamphlet Poetry Six.
$35.00Edinburgh: Morning Star, 2002. First edition. [28 pp]. Fine in illustrated wrappers. A continuation of the Irish project, new translators and others engage with Paul Celan’s poem: Guy Moreton, David Antin, Richard Barrett, Claudia e Kraszkiewicz, Ken Cockburn, Gabriel Rosenstock, Robert Kelly, Tim Robinson, and Zoë Irvine. cd present inside rear cover.
$45.00Dunsyre: Wild Hawthorn Press [1970]. First edition. 5 3/4 x 4 1/8 inch illustrated card. Fine. Murray 4.27.
$200.00[Dunsyre]: Wild Hawthorn Press [1975]. First edition. 11 x 8 1/2 inch illustrated broadside, housed in a printed folder. Both elements very near fine. One of 350 numbered copies SIGNED by Finlay. Murray 5.47.
$35.00London & NY: Quartet (1988). First edition. 246 pp w/notes & index. Pages toned (cheap paper) else very near fine in like dust jacket. A history and anthology.
$50.00[NY]: Laurence Hellenberg, 1959. First edition. 40 pp. Near fine in printed wrappers with lightly sunned spine. Cover art by Dan Rice. Foreword by Gilbert Sorrentino. Printed by the Orion Press, distributed by the Totem Press. Hellenberg’s only publishing venture.
$45.00Carrboro: Truck Books (1976). First edition. 100 pp w/notes. Fine in illustrated wrappers. One of 500 copies. Full title as it appears on the title page, “Place: typescript drafted 22.4.73 comprising most of book 1, place one to thirty-seven, First Movement.”
$150.00Covelo: Yolla Bolly Press (1990). First edition. 104 pp. Fine in printed wrappers and fine publisher’s slipcase. One of 190 numbered copies. Fisher contributes an afterword to this story, the third in the “Storytellers Series” the press.