Showing 929–960 of 1587 results
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$50.00NY: WNET/THIRTEEN (1983). First edition. Three 11 x 8 1/2 inch sheets, stapled upper left. Fine. Thorough description of this international event hosted by George Plimpton, featuring a statement on Orwell’s vision by Paik. Scheduled performers include Laurie Anderson, Peter Gabriel, Cunningham and Cage, Ginsberg and Orlovsky, Charlotte Moorman, Joseph Beuys, Ben Vauthier, Salvador Dali, Karleinz Stockhausen, and others.
$125.00(np): (np) 1967. 11 x 8 1/2 inch flyer. Fine. Paik’s proposal for this broadcasting sea change. “Someday London Times will become ‘VIDEO-TAPE’.”
$75.00NY: The Black Gate [1967]. First edition. Two 11 x 8 1/2 inch flyers (both fine) for this event held at the Black Gate 22-24 June. The first part of the concert featured Takehisa Kosugi, Charlotte Moorman, Paik, and Jud Yalkut; the second Lars-Gunnar Bodin, Gunnar Johnson, and Ralph Lundsten. On the second flyer, the dated of 22 June has been added in pen. For the pair:
$45.00NY: The Black Gate [1967]. First edition. 8 1/2 x 11 inch flyer for this event held at the Black Gate 22-24 June. Fine. Kosugi, Moorman, Paik, and Yalkut listed to perform.
$75.00NY: Kenneth Werner, 1967. Three 11 x 8 1/2 inch sheets, stapled upper left. Light toning along one edge, else near fine. Program for this seven hour event. Listed performers include Corner, Friedman, Higgins, Knowles, Mac Low, Moorman, Neuhaus, Paik, and many others performing works by Cage, Wolff, Krumm, Mumma, Werner, Higgins, Brown, Lucifer, Schmit, MacLow, Bussotti, Goldstein-Marcy, Sheff, MacDonald, Corner, Feldman, Knowles, Zajda, Ashley, Czajkowski & Friedman, Christiansen, Stockhausen, Paik, and Iimura.
$100.00Los Angeles: Black Sparrow, 1974. First edition, numbered & signed issue. 134 pp. Fine in printed paper-covered boards and cloth spine with printed label. Fine acetate dust jacket. One of 175 numbered copies SIGNED by Palmer. Morrow & Cooney 191b.
$20.00Mexico City: El Corno Emplumado, 1966. First edition. 65 pp. Near fine in printed wrappers. Illustrated with drawings by Pedro Alcántara. Original Spanish text with an English translation by Elinor Randall. Colección acuario, vol. IIX.
$25.00Cardiff: Seond Aeon (1970). First edition. [12 pp]. Near fine in stapled wrappers. “A first collection of experimental poetry.” The seventh Second Aeon chapbook.
$45.00San Francisco: Hackett Mill (2015). First edition. Oblong 8vo. [40 pp]. Fine in full cloth with gilt lettering to spine and front panel. Foreword by Francis Mill. Essay by John Seed. Fourteen color reproductions. Original exhibition announcement accompanies.
$40.00Gloucester: Llama’s Almanac (1972). 4to. 105 pp. Near fine in illustrated wrappers. First and only issue of this periodical. Irby, Enslin, Lansing, Robert Kelly, Hough, Charles Stein, Harvey Bialy, and many others contribute.
$75.00Urbana & Chicago: University of Illinois Press (1991). First edition. xxx + 487 pp. Fine in fine dust jacket. Edited by Thomas McGeary with his introduction. Features the text of a journal kept by Partch while he wadered the West Coast of the US as a transient, thought by Partch himself, to have been lost.
$45.00Buenos Aires: Editorial La Mandrágora (1962). First edition. 44 pp. Fine in illustrated wrappers. Cover art by Carlos Alonso. Dated (1969) and INSCRIBED by Pasamanik, “To the editor / Marvin Malone / wishing to know your magazine / ‘The Wormwood Review,’ / with friendship / Luisa Pasamanik” with the additional of a mailing address in Argentina.
$35.00Los Angeles & Fairfax: Red Hill Press, 1973. First edition. Narrow 4to. [20 pp]. Fine in stapled wrappers with Press address correction stamp. A long poem, translated by Jack Hirschman with his introductory note. Dated (Dec. 3, 2006) and INSCRIBED by Hirschman inside the front cover.
$75.00Helsinki: The 5th Columnist (2001). First edition. [160 pp w/index of band names]. Light wear to corners, else very near fine in illustrated boards. No dust jacket, as issued. Texts by Henrik Lindqvist and Janne Tamminen. Edition limited to 1500 numbered copies (this copy not numbered). Local and touring bands photographed largely live in Scandinavia. Sick of it All, Fugazi, Bob Tilton, Shelter, Misfits, Neurosis, and many others appear.
$100.00Mountain View: Artichoke Press (1976). First edition. 14 1/2 x 10 1/2 inch broadside, printed in two colors. Very near fine. Housed in a fine printed folder. One of 100 numbered copies on Goyu handmade paper SIGNED by printer Jonathan Clark and Miriam Patchen, Kenneth’s wife. Original prospectus accompanies.
$850.00NY: New Directions (1949). First edition, painted issue. 64 pp. Near fine in boards with gilt-stamped cloth spine. Patchen’s original cover painting has some surface chipping, due to the pigments used, but otherwise is a strong example for this title. While the construction of the book conforms to the painted issue, it does not have the signed and numbered colophon sheet. See Morgan A18b.
$350.00Oldham: Incline Press, 1995. First edition. [8 pp]. Very near fine in sewn wrappers with printed cover label. A selection from Paul’s THE LAST TIME I SAW PARIS. INSCRIBED by printer Moss inside the rear cover, “A soft - one of the last / of the printshop rejects / Graham Moss / Good Friday 2003.” Accompanying this copy is a lenghty ALS from the printer detailing the creation of this title, and a carbon TLS from the recipient who inquired after it.
$25.00Montreal: Vehicule Press (1980). First edition. 16mo. [34 pp]. Near fine in stapled wrappers with some toning to the rear panel. Dated (6.29.81) and SIGNED by Payack on the title page. A collection of short prose pieces.
$250.00NY: New Directions (1976). First US edition. 121 pp. Pages lightly toned, else very near fine in like dust jacket. Original Spanish with facing English translation by Eliot Weinberger. Briefly INSCRIBED by Paz on the front free endpaper, “A Robert, / Octavio Paz.”
$200.00London: Cape Goliard, 1970. First UK edition. [52 pp]. Fine in fine dust jacket. Translated from the original Spanish by Donald Gardner. Title page silhouette Duchamp self-portrait without flaw. Includes a color reproduction of The Bride stripped bare by her bachelors, even, and on the rear cover, Fluttering hearts.
$750.00Tuscaloosa: Parallel Editions / University of Alabama, 1990. First edition. [26 pp]. Fine in decorated boards. Translated from the original Spanish by Eliot Weinberger. Illustrated with two wood engravings by John DePol. One of 75 numbered copies on dampened Frankfurt mouldmade paper SIGNED by Paz, Weinberger, and DePol. Paz was awarded the Nobel Prize in Literature this same year.
$200.00(np): National Publishing Company, 1983. Later printing. 1291 pp. Fine in decorated boards. Stamped “Stolen / by / Penn & Teller” inside the front board and SIGNED by Penn and Teller on the title page.
$35.00Boston: Godine (1988). First US edition. 164 pp. Very near fine in near fine dust jacket. Translated from the original French by David Bellos.
$45.00Berkeley: The Figures (1978). First edition. 91 pp. Near fine in illustrated wrappers. Cover by Francie Shaw. One of 574 copies. INSCRIBED by Perelman on the half-title page, “for George / con muchas gracias / Bob Perelman.”
$250.00NY: Simon & Schuster (1977). First edition. 126 pp. Fine in very near fine dust jacket. Perelman’s travel tales, illustrated by Al Hirschfeld. SIGNED by Perelman on the front free endpaper.
$25.00NY: Morrow (1976). First edition. 227 pp w/index. Very near fine in like dust jacket. A comprehensive treatment.
$100.00NY: Lines, 1966. First edition. 4to. [54 pp]. Uneven toning to rear cover and extrems, else near fine in side-stapled wrappers. Cover art by John Perreault. Poems introduced by John Ashbery. Dated (July 79) and briefly INSCRIBED by Perreault.
$125.00Torrance: Hors Commerce Press (1965). First edition. [32 pp]. Fine in stapled wrappers. One of 200 copies. Preface by Alan Sillitoe. Poems with Perret’s own illustrations. Affixed to the front free endpaper is Perret’s clipped full signature. One of two poetry collections published during his short life (1930-1965).
$350.00San Francisco: Open Space [1964]. 4to. Thirty-five leaves, stapled upper left. Fine. Cover art by Jess. George Stanley, Ronnie Primack, Robin Blaser, M. Hannon, Jamie MacInnis, Jack Spicer, Richard Duerden, Robert Duncan, Ron Loewinsohn, Harold Dull, Lawrence Kerney, and Persky. An uncommonly bright copy.
$40.00Santa Barbara: Little Square Review, 1967. Spring. 31 pp. Fine in printed wrappers. SIGNED by Peters, John Ridland (editor), Kate Barnard (contributing artist), Bill Horton (printer), and S. Friedrich (typographer).
$125.00Chicago: Will Petersen 1975. First edition. 4to. [8 pp]. Near fine in side-stapled wrappers with pasted-on cover label. One of 50 numbered copies. INSCRIBED by Peterson (but not signed).
$100.00(np): Will Petersen (1975). First edition. 4to. vii + 27 pp. Near fine in side-stapled and taped wrappers with pasted-on cover label. Edition calls for 200 numbered copies; this one unnumbered, but INSCRIBED by Petersen, “For Michael / May ‘82 / Will.” Below the copyright notice is a rubber-stamped po box address (for Petersen).