Showing 1409–1440 of 1521 results
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$125.00NY: Walton H. Rawls, 1967. First edition. 128 pp w/glossary & index. Small pale stain on bottom edge, else near fine in two-part cloth with pasted-on cover label. Lacks unprinted glassine dust jacket. Illustrated. Moore contributes a brief foreword to this book by the curator of the Park. SIGNED by Lancaster and Moore on the title page. Abbott B41.
$20.00Adelaide: Art Gallery of South Australia (1976). First edition. Single long sheet folded three times to make a booklet (8 1/4 x 6 inches, closed). Fine. Moorman and Paik presented a series of performances in Adelaide over the five days of the Festival. Peter Moore’s photograph of Moorman performing “Concerto for Cello and Videotapes” reproduced within.
$35.00Cambridge: Massachuetts Institute of Technology, 1983. Fall. [100 pp]. Fine in glossy illustrated wrappers. Fall semester subject guide. Introduction “Scale, Sky and Technical Art: A Conversation with Otto Piene” by Robert Russett. Most of the book devoted to photographs and biographies of the staff, but three of the described photographs are of Charlotte Moorman and Nam June Paik at “Sky Art Conference ‘82,” which ties into the introduction.
$40.00Linz: Linzer Veranstaltungsgesellschaft (1982). First edition. 48 pp. Very near fine in stapled wrappers. Illustrated program of events for the Ars Electronica festival, featuring the “Sky Art Conference.” Texts in German and English. Charlotte Moorman performed “Sky Kiss.” B&w photograph of Moorman in performance, and additionally with Jerome Wiesner, Otto Piene, and Nam June Paik.
$25.00NY: Emily Harvey Gallery [1990]. First edition. 6 1/4 x 4 3/8 inch illustrated card. Fine. Portrait of a toddler Moorman with a stuffed dog heralds this exhibition. Together with an 11 x 8 1/2 inch flyer detailing all aspects of this event. For the pair:
$50.00NY: (np) (nd). First edition. 11 x 8 1/2 inch sheet of unused letterhead. Fine. If not designed by George Maciunas, certainly in his style.
$75.00Cambridge: Center for Advanced Visual Studies 1981. First edition. 17 x 10 1/2 inch two-sided poster, folded three times for mailing (4 1/4 x 10 1/2 inches, closed). Fine. Charlotte Moorman’s “Sky Kiss” scheduled as part of the “Sky Events” on day two. TOGETHER WITH: a single 11 x 8 1/2 inch sheet with the details for Film and Video Showings organized by Betsy Connors. TOGETHER WITH: a program for the Conference, five 11 x 8 1/2 inch sheets, stapled upper left. All elements fine. For the three:
$75.00Upper Galilee: Regional Council/Tel Hai College (1980). First edition. [132 pp]. Diagonal crease to a few early leaves, 3” strip torn from one margin (not effecting text), bends to several middle corners. In all, very good in printed wrappers. Full program for this event, four pages featuring Moorman, with three b&w photographs. Texts in Hebrew and English. TOGETHER WITH a 24 pp program (fine, text in Hebrew) and a folding map with calendar of events insert. For the lot:
$25.00NY: The Kitchen, 1973. First edition. 11 x 8 1/2 inch illustrated flyer. Fine. A component of the second Annual Video Arts Festival which ran the length of May at the Kitchen.
$35.00Blackburn: b b bks (nd). First edition. 48 pp. Near fine in printed wrappers. Photographs, poems, charts, and collages by Tina Morris and Dave Cunliffe with excerpted materials by Carolee Schneemann, John Grigg, Luise Davis, and others. “A literary and sociological study of the human beast’s monstrous crimes against other animal species.” Mimeograph flyer for available BB Bks laid in.
$100.00NY: Leo Castelli Gallery (1994). First edition. Folio. [64 pp]. Fine in wrappers and fine printed tissue dust jacket. A sharp copy of this fragile retrospective. Illustrated. Two large fold-out color plates.
$650.00Norfolk: New Directions, 1936. First edition. 16mo. [16 pp]. Fine in printed wrappers. The first book of the press, issued as “New Directions Pamphlets, Number One.” In his introductory note the publisher, James Laughlin, names the author, “the first American surrealist writer.” More than half a century later, in his afterword to Andrews' posthumous THE SURREALIST PARADE (New Directions, 1990), Laughlin recalled that “Wayne became my friend at Harvard...about 1935” and “the original 'Pianos' was...printed in an edition of 300 copies by the Vermont country printer who did the Harvard Advocate. But its unusual aroma quickly pervaded Harvard Square, and it was necessary to rush out a second printing.” WITH: the second printing of this work, bound in red wrappers as issued, adding the subtitle, “A Surrealist Shortstory,” and with the rear cover entirely reset with different text. Near fine. For the pair:
$125.00Monterey: Monterey Peninsula College 1969. First edition. Twenty-one 10 x 8 inch sheets laid into a printed folder. All elements very near fine or better. Printed at the Cranium Press. Previously known as “e.g.” Nolan took over editorship of the campus literary magazine, and changed the name to “The Brand New Testament” and then to “Dog Bite.” Uncommon.
$75.00Aldershot & Burlington: Ashgate (2007). First edition. xviii + 232 pp w/index. Fine in fine dust jacket. Composer, pianist, librettist, musicologist, and filmmaker best known for his collaborations with Peter Greenaway and the soundtrack album to Jane Campion’s film THE PIANO.
$25.00Bolinas: Big Sky, 1988. Third edition, revised and corrected. Small 4to. 223 pp. Fine in illustrated wrappers. Black & white photographs and reproductions throughout. Originally issued as Big Sky 11/12. Contributions by Berrigan, Feldman, Ashbery, Rorem, Wieners, Brainard, Southern, Ginsberg, Olson, Malanga, Cage, Baraka, and many others.
$75.00Albuquerque: University of New Mexico Press (2017). First edition. xi + 252 pp w/notes, glossary, bibliography, & index. Fine in decorated boards. No dust jacket, as issued. Edited by Robert J. Bertholf and Dale M. Smith. Briefly INSCRIBED by Smith on the title page.
$200.00North Vancouver: Capilano Review, 1979. First edition, numbered & signed issue 100 pp. Fine in near fine dust jacket that is sunned along the spine and extrems. One of 100 numbered copies on Mojave Matte paper SIGNED by Marlatt and Ondaatje. Prints a generous selection from Ondaatje’s “Running in the Family,” (which differs greatly from the eventually published text), together with Daphne Marlatt’s “In the Month of Hungry Ghosts.”
$75.00Washington DC: US Government Printing Office, 1975. First edition. 789 pp. Very near fine in printed wrappers. Inked ownership signature of Wormwood Review editor Marvin Malone on the front cover. The first volume of this epic presentation. Illustrated.
$25.00Berkeley: (np) 1997. First trade edition. 31 pp. Fine in stapled wrappers. One of 450 (of 500) copies. Designed by Graham Mackintosh and Dave Bohn. A useful reference, especially for print runs.
$25.00Chicago: Museum of Contemporary Art, 1982. First edition. 9 x 4 inch printed card. Fine. Illustrated with Peter Moore’s photograph of V-yramid and Tom Haar’s photograph of Moorman playing Paik’s TV Cello while wearing TV Glasses.
$50.00Lake Placid: Center for Music, Drama and Art [1976]. First edition. 20 x 12 1/2 inch poster, folded twice for mailing with a Nonprofit Org. postage stamp on the verso. Fine. Paik appeared on 3 August showing videotapes, and then on 7 August in performance with Moorman.
$20.00NY: Bonino in Soho, 1976. First edition. 4 3/16 x 5 7/8 inch printed card. Fine.
$35.00NY: Electronic Arts Intermix (1982). First edition. Single large sheet folded twice (11 1/8 x 8 5/8 inches, closed). Fine. Front panel image, “Electronic Zen with Tri-Color Moon,” 1967, photograph by Bernard Gotfryd. Celebrating Paik’s association with the Howard Wise Gallery and Electronic Arts, announcing his one-man show at the Whitney (April 30-June 27), and the retrospective presented by WNET/CH 13, “On the Air,” featuring performances by Ginsberg, Kaprow, Cunningham, and Charlotte Moorman. Paik and Moorman both pictured.
$20.00Melbourne: Cantrills Filmnotes, 1974. December. Oblong 8vo. 39 pp. Very near fine in illustrated wrappers. Issue features an interview with Nam June Paik on his TV Opera, with stills from “Global Groove” on the front and back covers, and five internal pages.
$35.00Santa Barbara: Capra Press (1988). First edition. 128 pp. Very near fine in glossy wrappers. Illustrated with color and b&w reproductions.
$35.00[Lisbon]: Penumbra Press (1983). First edition. [6 pp]. Fine in sewn wrappers. One of 175 numbered copies on Frankfurt White paper. Carlile’s prose vision with two drawings by Schwartzman. A new year’s greeting from the Press.
$40.00NY: David Zwirner Books (2018). First edition. 102 pp w/list of works. Fine in illustrated wrappers. A number of color reproductions precede Durbin’s dissection of Pettibon’s prolific Twitter activity.
$25.00Bradenton:Refuge Records (1995). First pressing. Fine 7” single in a very good folded sleeve that is lightly toned and has some wear along the top edge. Pettibon’s work first appeared on a 7” single in 1979 (Black Flag’s Nervous Breakdown).
$60.00[Oakland]: TDW Books (2017). First edition. 4to. [84 pp]. Fine in full decorated cloth. No dust jacket, as issued. Color photographs, 1977-1980 in San Francisco, most of folks in and around the Mabuhay Gardens punk scene. Though not called for in this issue, SIGNED by Jacoy. New, at publication price:
$250.00London: Thames & Hudson (1985). First UK edition. 4to. 549 pp w/bibliography. Very near fine in like dust jacket. Illustrated with 1153 images, 226 of which are in color.
$75.00Llandogo: Old Stile Press (2002). First edition. [84 pp]. Fine in full orange cloth with gold stamping to spine and front cover. Fine printed paper vellum dust jacket. Introduction by Chris Newett. Pitts’ linocuts, printed in several colors, paired with texts. One of 150 numbered copies on Somerset Book paper SIGNED by Newitt and McDowall.
$150.00Los Angeles: Plantin Press, 1980. First edition. xxi +194 pp. Fine in marbled paper-covered boards with cloth spine and printed label. Very near fine publisher’s slipcase. One of 350 numbered copies SIGNED by Lillian Marks.