Showing 3905–3936 of 24328 results
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$20.00Vancouver: Vancouver Community Press (1972). First edition. 107 pp. Near fine in printed wrappers. Writing Series #8.
$125.00Intermedia/Returning Press (1971). Spring. [48 pp]. A few light droplet marks to front cover, else near fine in illustrated wrappers. Text reproduced from Copithorne’s holograph. INSCRIBED by Copithorne inside the front cover, “To Bill / love from / Judith.”$45.00NY: McGraw-Hill (1989). First printing of this edition (originally published in 1939). xxiv + 307 pp. Hard erasure to first blank leaf, else fine in fine dust jacket. Introduction by William Schuman.
$850.00NY: The Letter Edged in Black Press, 1968. February. First issue of this series of portfolios, each containing a number of artists’ multiples. Printed cover and contents fine (but for a short edge-tear to the Young/Zazeela contribution). The contents card lists work by Su Braden, James Byars, Christo, Walter de Maria, Richard Hamilton, Julien Levy, Kasper König, Sol Mednick, Irving Petlin (who also did the cover), Nancy Reitkopf, LaMonte Young and Marian Zazeela.$850.00NY: The Letter Edged in Black Press, 1968. First edition. Third issue of this assemblage magazine, containing multiples by John Battan (cover), Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westerman, and Hannah Wiener. As in most copies, does not include the Terry Riley reel-to-reel tape.$20.00Ann Arbor: University of Michigan Press (1969). First edition. 372 pp w/index. Fine in very near fine, price-clipped dust jacket.$35.00London: Jonathan Cape (1933). First edition. 320 pp. Very near fine in near fine, price-clipped dust jacket with faint tanning to spine.$40.00London: Methuen (1957). First edition. 247 pp w/index. Fine in near fine dust jacket with light toning to spine.$40.00NY: Knopf, 1932. First US edition. 270 pp. Near fine in near fine, price-clipped dust jacket with a short tear to the top edge.$25.00London: Jonathan Cape (1930). First edition. 251 pp. Light foxing to spine and top edges, bookplate inside front cover. In all, near fine in near fine dust jacket. Illustrated by Nancy Bankart Gurney.$75.00London: White Owl Press (nd). First edition. 55 pp. Very good only in gilt-stamped cloth and partial original glassine. One of 150 numbered copies SIGNED by Coppard. A prose work.$75.00NY: Knopf, 1927. First edition. 309 pp. Fine in near fine dust jacket with two small tears to the upper rear flap fold.$35.00London: Methuen (1944). First edition. 210 pp. Vertical wrinkle to one leaf (production flaw) else near fine in very good plus dust jacket with a diagonal crease to the front flap, a small chip, and two short tears and a crease to front panel.$100.00London: Methuen (1939). First edition. 285 pp. Fine in near fine dust jacket with two short closed tears and light edgewear.$12.50London: Macmillan (1980). First edition. 303 pp. Fine in near fine dust jacket with toning to spine and extrems.$10.00NY: Holt, Rinehart and Winston (1980). First edition. 346 pp. Fine in fine dust jacket.$25.00Milan: Editrice Pensiero Letterario [c 1972]. First edition. 60 pp. Fine in printed wrappers. Introduction by Ricardo Lolla Villa.$15.00Oakland: Scarelet Tanager (2005). First edition. 77 pp w/notes. Fine in glossy illustrated wrappers; a trade paperback original.$25.00London: Sinclair-Stevenson (1996). First edition. 339 pp w/glossary. Pages lightly toned, else fine in fine dust jacket.$75.00Boston: Boston Eagle, 1973-1974. All 4to, all near fine in side-stapled wrappers. In addition to writings by the three editors, a complete list of contributors includes: John Wieners, Fanny Howe, Michael Palmer, Jonathan Cott, Paul Evans, Gerard Malanga, Pat Nolan, Larry Fagin, Bill Berkson, Bernadette Mayer, James Tate, and Clark Coolidge. Secret Location p. 266. For the run:$65.00Cambridge, MA: Zoland Books, 1989. First edition. Fine in gray cloth slipcase with printed label; includes the book, also fine without dust jacket as published, SIGNED by Corbett, with a note laid in, in his hand, and a boxed cassette tape of Corbett reading these poems, also SIGNED and dated.$45.00(np): Barn Dream Press (1970). First edition. [12 pp]. Fine in sewn wrappers. One of 300 (of 400) copies. Corbett's first book.$20.00Boston: [np] [nd]. First edition. Unpaginated. Fine. A single very large sheet folded into eighths to create a booklet-sized publication, which opens into a two-sided sheet. Includes poems by Bruce Andrews, Musa Guston, Lee Harwood, Charles Olson, and Michael Palmer. Cover and drawings by Ray Kass. One example why Corbett was indispensible to the Boston poetry scene.
$20.00Santa Barbara: Unicorn Press, 1967. First paperback printing. 46 pp. Fine in printed wrappers with pasted-on cover and spine labels. Teo Savory’s English translations of these poems, followed by the original French works.$17.50Three Ravens Press, 1987. First edition. [16 pp]. Very good plus in sewn wrappers. One of 500 copies SIGNED by Corbin. Additionally dated (13 November 1987) and INSCRIBED by Corbin.$17.50Three Ravens Press, 1990. First edition. 53 pp. Near fine in printed wrappers with a line of discoloration on the rear panel. One of 1000 numbered copies SIGNED by Corbin. Additionally dated (13 January 1991) and INSCRIBED by Corbin.$15.00(np): Three Ravens Press, 1990. First edition. 53 pp. Fine in printed wrappers. The colophon calls for 1000 numbered copies; this copy is not numbered.$17.50Sheffield: West House Books, 2001. First edition. 48 pp. Fine in illustrated wrappers.$15.00Sheffield: Simple Vice/West House Books (1996). First edition. 40 pp. Fine in printed wrappers. One of 274 (of 300) copies.$20.00London & NY: Permanent Press, 1985. First edition. 47 pp. Fine in printed wrappers. One of 450 (of 500) copies. Preface by Tom Raworth. Corcoran’s first collection of poems.$45.00Oakland: Jimmy’s House of Knowledge (1986). First edition. [48 pp]. Near fine in stapled wrappers. One of 100 copies. INSCRIBED by Corder.$25.00London: GMP (1985). First edition. 93 pp. Very near fine in near fine dust jacket. Introduction by George Melly.