Showing 15361–15392 of 24244 results
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$110.00(np): Bad Girl Press (nd). First edition. Small spot on front and back covers, else near fine in stapled wrappers. One of 20 numbered copies SIGNED by Packard. Additionally INSCRIBED to a noted collector.$30.00Denver: Experiment Press, 1962. First edition. 8vo. Stapled wrappers. 41 pp. A review copy with the publisher's review slip laid in. Very good with toning along the edges.$20.00NY: Thunder’s Mouth Press, 1985. First edition. Fine in fine dust jacket.$45.00(np): (np) (nd). First edition. [8 pp]. Near fine in side-stapled wrappers. INSCRIBED by Packard on the front cover.$65.00[n.p.]: Bird Girl Press, 1979. . First edition. 4to. Illustrated wrappers. 74 pp. 1/100 numbered copies signed by Packard and Knowlton. This copy is also signed by Packard on the title page. Near fine.$25.00McKinleyville: John Daniel & Company, 2012. First edition. 174 pp. Fine in glossy illustrated wrappers. INSCRIBED by Packer on the title page.$25.00St. Lucia: University Of Queensland Press, 1972. . First edition. 8vo. Cloth. Near fine in a near fine jacket.
$45.00NY: Cape Goliard Press/Grossman 1970. First US trade edition. 4to. [120 pp]. Near fine in near fine dust jacket with a few light wrinkles to front cover. Poems by Padgett profusely illustrated by Dine, who also designed this volume.
$500.00Tulsa: White Dove Press, 1960. Summer. [22 pp]. Very near fine in stapled wrappers. Cover art by Brainard, who also contributes three drawings and the design of an advertisement. Work also by Berrigan, Jack Anderson, David Omer Bearden, Richard Dokey, Richard Gallup, Carl Larsen, C. Cleburne Culin, LeRoi Jones, Dan Teis, Gilbert Sorrentino, Martin Edward Cochran, Robert Creeley, and Padgett.$25.00Bolinas: Big Sky (1974). First edition. [24 pp]. Very good plus in stapled wrappers. Cover art by George Schneeman. One of 750 copies.$75.00(np): C Press, 1965. Second edition. 4to. [34 pp]. Very good plus in side-stapled wrappers with a long scratch to rear cover, and a small price note and stain to front. Cover art and internal drawings by Joe Brainard. The colophon calls for 200 numbered copies; this copy not numbered.$35.00Boston: Godine (1995). First edition. 112 pp. Near fine in near fine dust jacket.$50.00London: Strange Faeces, 1971. First edition. Tall 4to. [40 pp]. Lacks unprinted rear cover, else very near fine in side-stapled wrappers. Entire issue devoted to Padgett’s poems. One of 250 copies. Dated (1973 January) and INSCRIBED by Padgett, “To Cuz / in Calif. / Ron.”$45.00NY: Adventures in Poetry (nd). First edition. 4to. [16 pp]. Covers toned with a bit of foxing along the spine, else very good plus. Four poems by the son of Ron and Pat Padgett.$22.50NY: Farrar Straus Giroux (1982). First edition. 179 pp. Fine in near fine dust jacket. Original Spanish poems with facing translations by Alastair Reid and Andrew Hurley. Promotional flyer laid in..$30.00San Francisco: Auerhahn, 1961. First edition. Single 7 1/2 x 13 3/8 in sheet, folded once. Very good plus. One of 350 copies.$35.00London: Viking/Penguin (2007). First edition. 322 pp. Fine in fine dust jacket with a light wrinkle to crown. SIGNED by Page on the title page.$12.50Toronto: Oxford University Press, 1981. First edition. 95 pp. Very good in illustrated wrappers that are rubbed. A trade paperback original. Poems.$12.50Ontario: The Porcupine’s Quill (2008). First edition. 60 pp. Fine in illustrated wrappers. Poems selected by Arlene Lampert and Thea Gray.$250.00NY: Knopf, 1983. First edition. 112 pp. Fine in near fine dust jacket with light rubbing to the rear panel. Introduction by William Shawcross. Uncommon in cloth.
$150.00San Francisco: North Point, 1986. First edition. 341 pp. Fine in very near fine dust jacket. Translated from the original French by Rita Barisse. Foreword by Alice Waters. Published to commemorate the fifteenth anniversary of Chez Panissse.$15.00NY: Pella Publishing Company, 1979. First edition. 110 pp. Small spot on fore-edge, else near fine in glossy illustrated wrappers. Cover art and internal drawings by George Fokas. Original Greek poems with English translations by Apostolos N. Athanassakis.$12.50Reno & Las Vegas, NV:University of Nevada Press, 1998. First edition. Fine in wraps.$25.00NY: McGraw-Hill (1979). First edition. 230 pp. Fine in fine dust jacket. Young 2959*.$25.00Metuchen & London: Scarecrow Press, 1994. First edition. ix + 383 pp w/indexes. Very near fine in full decorated cloth. No dust jacket, as issued.
$20.00Paris: Centre Culturel Americain, 1979. First edition. 4 x 8 inch card, printed in green on white stock. Fine. Announcement for exhibition, screenings, and performances by Moorman and Paik (TV Cello and TV Bra).
$150.00[1966]. 8 1/2 x 11 inch flyer. Very near fine. A happening at the Ponte di Rialso for the opening night of the 33rd Venice Bienale on 18 June. Printed quotation attributed to John Cage via Heinz-Klaus Metzter, “Venice is the most progressive city in the world, since it has already abolished the automobile.”
$125.00NY: WNET 1974. First edition. 18 3/4 x 13 inch poster. Folded twice for mailing, but not mailed. Fine. Poster photograph by Peter Moore, design by Jim McWilliams. Merrily Mossman directed this performance. Allen Ginsberg, Charlotte Moorman, Jud Yalkut, and John Cage are among the listed participants.
$40.00NY: Museum of Modern Art Department of Film, 1972. April 18. Two 11 x 8 1/2 inch sheets, stapled upper left. Fine. Statement of objectives, program, and notes on and by the filmmakers. The recto of the second leaf is printed on the illustrated flyer for the event, as issued.
$75.00NY: Film-maker’s Cinematheque, 1965. 11 x 8 1/2 inch flyer, printed in black on grey paper. Fine. Program for this performance featuring performance by Moorman and Kosugi, and video tape.
$20.00Paris: Musee D’Art Moderne [1972]. First edition. 4 3/4 x 6 inch illustrated card. Fine. Video image of Paik on the recto with the title text. Concert information on the reverse.
$35.00Boston: WGBH TV [1972]. First edition. Single long sheet folded three times horizontally (4 1/2 x 5 1/2 inches, closed). Fine. Paik was one of number of artists commissioned to create works employing the rep of the Boston Symphony Orchestra.