Showing 22849–22880 of 24620 results
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$12.50London: Reaktion Books (2006). First edition. 197 pp w/references & bibliography. Fine in illustrated wrappers.$50.00NY: Prestel (1989). First printing of this edition (originally published in 1973). Small 4to. 345 pp w/bibliography, list of illustrations, & photographic credits. Fine in fine dust jacket.Etant Donnés: 1. la chute d’eau, 2. le gaz d’éclairage: Reflections on a New Work by Marcel Duchamp.
$25.00Philadelphia: Philadelphia Museum of Art, 1987. First printing of this second reprint of the Philadelphia Museum of Art Bulletin, Volume LXIV, Numbers 299 and 300 with the 1973 afterword by d’Harnoncourt. 63 pp. Fine in illustrated wrappers.$35.00Minneapolis & Oxford: University of Minnesota Press (1991). First trade paperback printing. xxi + 222 pp w/index. Near fine in glossy illustrated wrappers. Foreword by John Rajchman. Translated by Dana Polan with de Duve.$50.00Halifax & Cambridge: Nova Scotia College of Art and Design/MIT Press (1991). First edition. xii + 488 pp w/index. Very near fine in like dust jacket.$45.00NY: Lumen, 1987. First edition. Narrow 8vo. 96 pp. Near fine in glossy illustrated wrappers.$45.00[Paris]: Centre National d’Art et de Culture Georges Pompidou (1977). First edition. 28 pp. Very good in illustrated boards with rubbing to extrems, a non-authorial gift inscription to the first leaf, and a chip to the lower rear cover. No dust jacket, as issued. Images by d’André Raffray. Text in French. An illustrated life of Duchamp.
$75.00[Paris]: Centre National d’Art et de Culture Georges Pompidou (1977). First edition. 28 pp. Near fine in illustrated boards with light rubbing to extrems. No dust jacket, as issued. Images by d’André Raffray. Text in French. An illustrated life of Duchamp.$50.00Cambridge & NY: Cambridge University Press (1994). First edition. Small 4to. xx + 316 pp w/index. Fine in very near fine dust jacket with faint sunning to spine. A critical analysis of post-modernism in the visual arts springing from Duchamp.$35.00Cambridge: MIT Press (1989). First edition. 267 pp. Fine in very near fine dust jacket with sunning to spine. Personal recollections by Beatrice Wood and Arturo Schwarz followed by nine essays on various aspects of Duchamp’s life and work, Duchamp’s letters to Walter and Louise Arensberg, 1917-1921, and his “Des Délices de Kermoune.” The book concludes with a selective Duchamp bibliography by Timothy Shipe.
$100.00Venice: Lapis Press (1990). First US edition. 199 pp. Fine in green velvet over boards and near fine wrap-around band. Translated from the original French by Ian McLeod. Essays on Duchamp written between 1974 and 1977. Illustrated.$85.00Troy: Whitston Publishing Company, 1981. First edition. 475 pp w/notes, index, & bibliography. A few spots of foxing to page edges, else near fine in boards. No dust jacket, as issued. One of 750 hardcover copies.$20.00Boston: MFA Publications (2002). First edition. 359 pp w/index. Fine in fine dust jacket.$15.00Engelwood Cliffs: Prentice-Hall (1975). First trade paperback printing. ix + 184 pp w/selected bibliography. Very good plus in illustrated wrappers.
$500.00Paris: Centre National d’Art et de Culture Georges Pompidou (1980). First edition. Folio. xvii + [221 pp]. Fine in full cloth and matching publisher’s slipcase. Preface by Pontus Hulten. One of 1000 numbered copies. Full-color reproductions of Duchamp’s notes, grouped into “Infrathin,” ‘The Large Glass,” “Projects,” and “Word Plays.” Texts in French and English translation.$12.50Köln: Taschen (2006). First edition. 95 pp w/chronology & notes. Fine in glossy illustrated wrappers.$35.00NY: Columbia University Press (2010). First US edition. xvi + 214 pp w/index. Fine in fine dust jacket. Translated from the original German by John Brogden. Illustrated.$40.00Paris: Éditions Antoine Candau, 1990. First edition. 24 + 25 pp. Spine sunned, else very near fine in printed wrappers. Text in English and French. Briefly INSCRIBED by Morgan to Peter Selz.$35.00NY: Achim Moeller Fine Art (1999). First edition. 4to. 48 pp. Very near fine in illustrated wrappers. Fully color illustrated.$45.00San Francisco: Readymade Press, 1990. First trade edition. Square 16mo. [74 pp]. Near fine in printed wrappers with die-cuts to the front and rear covers. Design by Diane Burk and Robert Langenbrunner. Prowler’s musings on Duchamp, and art, instigated by acquiring a telegram by Duchamp.
$125.00Paris: Eric Losfeld [1972]. First edition. 4to. 103 pp. Light bump to one lower corner, else near fine in illustrated wrappers. Over 260 items described.$25.00Berkeley: University of California (1985). First edition. viii + 291 pp. Fine in very near fine dust jacket.
$100.00Philadelphia & New Haven: Philadelphia Museum of Art/Yale University Press (2009). First edition. 447 pp w/select bibliography & index. Fine in fine dust jacket. A thorough consideration of Duchamp’s provocative work, published on the 40th anniversary of its initial installation. Profusely illustrated.$45.00Paris: Les Editions Harmonie (1980). First edition. 135 pp. Fine in wrappers and integral dust jacket. Illustrations on cover and throughout by Rikki.$20.00Austin: W. Thomas Taylor, 1989. First edition. 96 pp. Near fine in printed wrappers. Contributions by Carruth, Di Piero, Dubie, Gioia, Gunn, Heyen, Merrill, Schwerner, Wilbur, and many others.$22.50NY: Dutton (1990). First edition. 403 pp. Fine in fine dust jacket. Dillon, famously Jane Bowles’ biographer, here paints a dual portrait of expatriate women artists of the early American century. Dillon’s feminist and sympathetic mind is able to discern, bring out, and analyze the cultural logic of gendered historical patterns that bind together the lives of these two very different women who have remained important to us and to our arts.$20.00(np): Am Here Books/Immediate Editions (1981). First edition. 4to. [46 pp]. Fine in side-stapled wrappers. Cover illustration by Tom Clark. Mac Adams’ description of Duncan’s “Blind Date” performance recording, and ensuing controversy.$20.00Tucson: Ironwood Press (1983). First edition. 198 pp. Fine in illustrated wrappers. Contributions by Duncan, Hayden Carruth, Hugh Kenner, Carl Rakoski, and others.$20.00Buffalo: Audit/Poetry, 1967. Vol. IV, No. 3. 64 pp. Near fine in illustrated wrappers with sunning along spine. Collects Duncan’s “A Play with Masks,” miscellaneous uncollected pieces, uncollected Stein Imitations, letters to and from Robin Blaser, and more.$45.00Santa Rosa: Black Sparrow, 1986. First edition. 491 p w/indexes. Heavy foxing along top edge, else near fine in printed paper-covered boards with cloth spine and printed label. Preface by Robert Creeley.$20.00NY: New Directions (1979). First edition. 245 pp. Fine in printed wrappers. A trade paperback original. A great collection of works on Duncan.$35.00Kyoto: Origin, 1963. July. 64 pp. Staples rusty, else near fine in printed wrappers. Features excerpts from THE DAY BOOK of Robert Duncan. Contributions also by Creeley, Levertov, Enslin, Finlay, Eigner, Bronk, Montale, and the Zukofskys.